Through a Nuclear Lens: France, Japan, and Cinema from Hiroshima to Fukushima (Suny Series, Horizons of Cinema)

Contents
List of Illustrations
Acknowledgments
	Permissions
	Names and Translations
Introduction
	The Nuclear Era, from Hiroshima to Fukushima
	The Nuclear Lens, the Chronotope of the Nuclear, and Multisensory Perception
	Outline of Chapters
1 From Japonisme to the Nuclear Era
	From Marco Polo to Japonisme
	Technological Developments through the Twentieth Century
	Franco-Japanese Exchange into the Twenty-First Century
2 Learning to See with Japan in Hiroshima mon amour
	The Forgotten First Franco-Japanese Coproduction
	Hiroshima through a Nuclear Lens
	The Chronotope of the Nuclear
3 Tu n’as rien vu: Japanese Responses to Hiroshima mon amour
	Ōshima’s Vision of France in Max mon amour
	Suwa’s Vision of Hiroshima in H Story
	Another Refraction of Hiroshima mon amour
4 Things That Quicken the Heart: Sensing the Nuclear in Chris Marker’s Japan
	Japan in a Nuclear Paris
	Sensing the Nuclear in Marker’s Tokyo
	Level Five and the Shadow of the Mushroom Cloud
5 Interaction and Solidarity through a Digital Nuclear Lens
	Voices from the Zone
	Visions from Afar
6 Reframing Hiroshima mon amour after Fukushima
	The Future Looks the Same as the Past
	The Heart of the Problem
Conclusion
Notes
References
Index