Thinking Film: Philosophy at the Movies

Half Title
Series Page
Title Page
Copyright Page
Dedication
Contents
Acknowledgments
Editorial Acknowledgments
Introduction
Part I: Classic Philosophers on Film
	Chapter 1: The Thought of Movies
	Chapter 2: On Cinema
Part II: Thinking on Films
	Chapter 3: Film as Philosophy and Cinematic Thinking
	Chapter 4: Philosophical Therapy at the Movies
	Chapter 5: Missing Mothers/Desiring Daughters: Framing the Sight of Women
	Chapter 6: Why Is Leap Year Not a Comedy of Remarriage?
	Chapter 7: Film and Television as Forms of Shared Experience
	Chapter 8: What Does It Mean to Have a Cinematic Idea?: Deleuze and Kurosawa’s Stray Dog
	Chapter 9: “The Active Eye” (Revisited): Toward a Phenomenology of Cinematic Movement
	Chapter 10: Rethinking Monster Movies: Men in Black, Alien Resurrection, and Apocalypse Now
	Chapter 11: A Plural Transcendence: When Film Does Phenomenology
	Chapter 12: I Wake Up Screaming: Kansas and Beyond
	Chapter 13: Mediating Fairy Stories in Words and Images: Warring Magics in J. R. R. Tolkien and Peter Jackson’s Lord of the Rings
Part III: Thinking with Films
	Chapter 14: On Wim Wenders’s Paris, Texas
	Chapter 15: On Larissa Shepitko’s The Ascent
	Chapter 16: On Jim Jarmusch’s Paterson
	Chapter 17: On Sidney Lumet’s Serpico
	Chapter 18: On Antwone Fisher’s Antwone Fisher
	Chapter 19: On Hirokazu Kore-eda’s Our Little Sister
	Chapter 20: On Lars von Trier’s The House That Jack Built
	Chapter 21: On Robert Bresson’s Diary of a Country Priest
	Chapter 22: On Luchino Visconti’s Death in Venice
	Chapter 23: On Andrei Tarkovsky’s Andrei Rublev
	Chapter 24: On Krysztof Kies´lowski’s Le Double Vie de Véronique
	Chapter 25: On Quentin Tarantino’s The Hateful Eight
	Chapter 26: On Wes Anderson’s The Royal Tenenbaums
	Chapter 27: On Persichetti, Ramsey, and Rothman’s Spider-man
	Chapter 28: On the Dardenne Brothers’ Young Ahmed
	Chapter 29: On John Huston’s The Dead
	Chapter 30: On Terrence Malick’s The Tree of Life
Contributors
Index