The Poetics of Poetry Film: Film Poetry, Videopoetry, Lyric Voice, Reflection

Front Cover
Half Title
Frontier spices
Copyright information
Dedication
Epigraph
Table of contents
Illustrations
Foreword
Preface
Introduction: Poetry, Song, Philosophy – The Combined Lyric Aesthetic
	Illuminated Verse
	The Figurative Visual Poem
	Philosophy through Poetry: China and the Lyric Aesthetic in Poetry and Painting
Part One Form and Structure
Part Two Artists\' Voices
	Contemporary Pioneers
		George Aguilar
			Q & A with Matt Mullins, Abridged from Atticus Review, 20132
		Enzo Minarelli: No Cinderella – Sound (and Text) in Video Sound Poetry
			Polypoetry
		The Sound in Videopoetry
			Rhythm from Sound
			Polypoetry and Videopoetry
			Meditations on Time
			Video Sound Poetry
		Loss, Memory, Spectacle, Redemption: A Hermeneutic Approach to Dier’s Videopoem Todos esos momentos se perderan (All Those Mome
			Tom Konyves
		VideoBardo
		Peter Todd: Screening the Experimental Poetry Film
			Example of Peter Todd’s Curation and Notes for Film Poems 4, ‘Messages’
		Valerie LeBlanc and Daniel H. Dugas: The Early Years – Text and the Cityscape
			The First Video Poetry Series
		Visible Verse6
			Heather Haley
		ZEBRA and the View from Here
			Thomas Zandegiacomo del Bel
			ZEBRA
			Selected Entries from Asia, Australia, East Europe, France, Italy and Russia
			Australian Poetry Films
			Bulgarian Poetry Films
			Burmese Poetry Film
			Chinese Poetry Film
			Croatian Poetry Films
			Estonian Poetry Films
			French Poetry Films
			Hungarian Poetry Films
			Italian Poetry Films
			Lithuanian Poetry Films
			New Zealand Poetry Films
			Polish Poetry Films
			Russian Poetry Films
			Taiwanese Poetry Films
		Interview with Zata Banks: Poetry Film and the Experimental Logophile
		Gabriele Labanauskaite10
			Why Combine Music and Poetry
			Influences
			Searching
		Interview with Dave Bonta: Talking Animals, Bridging Language Barriers
		Interview with Alastair Cook: Place and Haptic Making
			Your Voice: La Plage / Abachan / Scene / Amerika (The Man Who Disappeared)
			Early films: Use of the Cut
		Interview with Marc Neys: Resolving Time, Resolving Space
		Notes
	Making
		Notes on Nothing in the Garden
			Chaucer Cameron
		Notes on Poem for Rent 
Marie Craven
		The Book of Hours: A Collaborative Online Poetry Film Project between a Spoken Word Poet and Poetry Film-Makers
		General Notes on Practice
Ian Gibbins
		The Flicker Film and the Videopoem3
		Proem: To Brooklyn Bridge – Animating Poetry and Research-Led Creation4
		Foley by Foley, Frame by Frame
			Kate Jessop
		Grab ‘em by the Poiesis: The Jouissey Play of Vispoetics
			Adeena Karasick
		Some Notes on My Video Poems
			Martha McCollough
		The Rhythms of the Literal and Subtextual in Individual and Collaborative Poetry Films
			Matt Mullins
		Adele Myers: Two Contrasting Versions of a Dance-based Poetry Film
		Poetic Sound
			Two Poets and a Camera
			Poets on the Stage with Video
		Caleb Parkin and Helmie Stil: A Marriage of Poet and Film-Maker
			Filming
			Writing The Desktop Metaphor
				Caleb Parkin
			The Desktop Metaphor
		Live Cinema
		Interview with Dave Richardson: Unchartered Terrain – The Personal Within
		The Internet Archive
		Music First for Kali Exorcism
		Opening Up Imaginary Spaces
		Notes
	Poetry Film and Videopoetry in Portugal and Spain: Alive and Thriving
		Alexandre Braga
		Eduardo Yagüe
		Tarha Erena
		Alejandro Céspedes
		Celia Parra
		Jordan T. Caylor
		Belén Gache
		Santiago Parres
		Agustín Fernández Mallo
		David Argüelles Redondo
		Ángel Guinda and Sándor M. Salas
	Experimental Poetry in Argentina from the 1960s to the 1990s: Political Voice and Prefiguring the Turn to Digital Literature a
	Liberated Words: Developing a Poetry Film Festival and Workshops
		Butterflies Haven Workshop
			Ecopoet
			Digital Artist and Film-Maker
		Note
Part Three Selected Narrative Forms
	Collections
		Interview with John D. Scott: How the Observer Sees – Elizabeth Bishop and the Art of Losing
			Time and Change: One Poet, One Theme, Several Voices
			One Poem, Many Translations
			One Poet (with Additional Poets), Many Film-Makers
			One Film-Maker, Many Poets
			Many Poets, Many Film-Makers
			Collection as Ancestral Life Writing
		Notes
	Text-on-Screen
		The Imaginative Leap
			Kinetic, Concrete or Pattern Poetry
			Text and Image no Voice: State of Mind
			Text Blocks Image as Aphoristic Statement
			Graffiti and Street Signs
		Notes
	Video Haiku and Video Haiga
		Haiku as Length of Shot
		Japanese Aesthetics in the Art of Poetry Film
	A Documentary Approach to Poetry Film
		War and Diaspora
			YouTube Footage
			Capturing Place
			Found Footage: Capturing a Nostalgia for the Past
	Dance and Movement
		Dance and Multiple Selves
		Dance and Relationships
			‘Mother as Camera’: A Discussion of Sarah Tremlett’s Dance
			Dancing Political
			Dance as Translating Health
	The Ecopoetry Film
		Notes on My Ecopoetics
		Janet Lees
		Helen Moore and Howard Vause
		Interview with Helen Moore: ECOZOA and a Deep Interconnection with All Species
			Sound and Double Images
			Voice(s)
			Expanded Sense of Self and Interconnection
			Time and Space
			Time in Layers
			Sketching
			Visual Verse
			Poetry Films
Overview
Examples of Leading Poetry Film Festivals
References
Artists and Authors Index
Back Cover