Sonic Identity at the Margins

Cover\nContents\nList of Illustrations\nContributors\nIntroduction to Sonic Identity at the Margins Joanna K. Love and Jessie Fillerup\nPart 1 Hearing Race and Place\n	1 Mapping Sonic and Affective Geographies in Richmond, Virginia Andrew McGraw\n	2 Musical Indianism: Reassessing the Archive Victoria Rose Clark (Nanticoke)\n	3 Reconsidering “Rhythm” as a Cultural Marker in Black String Band Music Landon Bain\n	4 “The Year of Jubilee Is Come”: Metatextual Resonance in Antislavery Hymn Parodies Erin Fulton\n	5 Accidental Alterity in Messiaen’s Quatre études de rythme David Wolfson\nPart 2 Sounding “Otherness” in Contemporary Media\n	6 Decolonizing Game Audio and Approaching Sound in Digital Storytelling Kate Galloway\n	7 Finding Home in the Unknown: Sounding Self-Determination from the Streets to the Void Andrew J. Kluth\n	8 Colonial Encounters, Alien Languages, and the Exotic Music of Denis Villeneuve’s Arrival Paige Zalman\n	9 Decolonizing Disability: “Muteness,” Music, and Eugenics in Screen Representation James Deaville\n	10 Hearing Borderline Personality Disorder in Crazy Ex-Girlfriend Joanna K. Love and Jessie Fillerup\nPart 3 Performing Identity\n	11 Shirish Korde on Intercultural Composition Christopher Chandler\n	12 Sonic Dismantling, Appropriation, and Confederate Monuments David Kirkland Garner\n	13 The Lanna Dream: Reflections of Constructed Identities Waewdao Sirisook and Abbas Rasul\n	14 American Blackness in Berlin: Race and Nationality in Contemporary Jazz Performance Bertram D. Ashe\n	15 Remaking Traditions and Rehearing the Self: A Conversation with Reena Esmail Christopher Chandler\nAcknowledgments\nIndex