Shakespeare and the Second World War: Memory, Culture, Identity

Illustrations Tables Acknowledgments   Introduction: Shakespeare and the Second World War. IRENA R. MAKARYK (University of Ottawa)   German Shakespeare, the Third Reich, and the War. WERNER HABICHT (University of W rzburg)  Shakespearean Negotiations in the Perpetrator Society:  German Productions of The Merchant of Venice during the Second World War. ZENO ACKERMANN (Freie Universit t Berlin)  Shylock, Palestine, and the Second World War. MARK BAYER (University  of Texas at San Antonio)  \"Caesar\'s word  against the world\": Mussolini\'s Caesarism and Discourses of Empire. NANCY ISENBERG (the  Universit  degli Studi Roma Tre)  Shakespeare and Censorship during the Second World War:  Othello in Occupied Greece TINA KRONTIRIS (Aristotle University of  Thessaloniki)  \"In This Hour of  History: Amidst These Tragic Events\": Polish Shakespeare during the Second  World War KRYSTYNA KUJAWINSKA COURTNEY (University  of Lodz)  Pasternak\'s Shakespeare in Wartime Russia. ALEKSEI SEMENENKO (Stockholm University)  Shakespeare as an Icon of the Enemy Culture: Shakespeare in  Wartime Japan, 1937-1945 RYUTA MINAMI (Shirayuri  College)  \"Warlike Noises\":   Jingoistic Hamlet during the Sino-Japanese Wars. ALEX HUANG (Penn  State University)  Shakespeare, Stratford, and the Second World War. SIMON BARKER (University  of Lincoln)  Rosalinds, Violas, and Other Sentimental Friendships: The  Osiris Players and Shakespeare, 1939-45. PETER BILLINGHAM (University  of Winchester)  Maurice Evans\'s \"G.I. Hamlet\": Analogy, Authority and  Adaptation. ANNE RUSSELL (Wilfrid Laurier University)  The War at \"Home\": Representations of Canada and of World  War II in Star Crossed.  MARISSA MCHUGH (University  of Ottawa)  Shakespeare\'s Merchant of Venice in Auschwitz. TIBOR EGERVARI (University of Ottawa)  Appropriating Shakespeare in Defeat:  Hamlet and the Contemporary Polish Vision of  War.  KATARZYNA KWAPISZ-WILLIAMS (University  of Lodz)  Contributors Index