Samuel Beckett's Endgame and Hungarian Opening Gambits

TABLE OF CONTENTS
LIST OF ILLUSTRATIONS
ACKNOWLEDGEMENTS
INTRODUCTION
SILENCE AND SUICIDE: TOWARDS AN UNDERSTANDING OF
IN SEARCH OF SPACE AND LOCALE IN THE GENESIS OF SAMUEL BECKETT’S
THE TRAP OF EYE TO I: A PERCEPTION OF SAMUEL BECKETT’S FILM
THE GODOTS THAT ARRIVED IN HUNGARY: THE FIRST BUDAPEST PRODUCTIONS BEFORE AND AFTER 1989
SAMUEL BECKETT’S FIN DE PARTIE IN HUNGARY:A BRIEF RECEPTION HISTORY
SHOES THAT ARE LEFT BEHIND:GÁBOR TOMPA’S BECKETT HERITAGE
EARTH THAT SHAKES, EARTH THAT COVERS:A REVIEW OF WAITING FOR GODOT AND HAPPY DAYS
KRAPP BREAKS FREE
CATASTROPHES AND COMPANIONS:NOTES ON WAITING FOR GODOT
“I MYSELF AM CLOV IN ENDGAME”: CONVERSATION WITH ANDRÁS VISKY
“IT ALL STARTED WITH GODOT IN 1965”:DIALOGUE WITH PÉTER LÉNER
“IT WAS MY IDEA FOR WILLIE TO BURY HIS WIFE”: INTERVIEW WITH KRISZTA SZÉKELY
“IN THOSE DAYS IN BUDAPEST, PLAYING IN A PARK WAS LIKE ATTACKING PARLIAMENT”: CONVERSATION WITH TOM BISHOP (I)
“… THE ONE I DISLIKE LEAST IS ENDGAME”:CONVERSATION WITH TOM BISHOP (II)
GYÖRGY KURTÁG AND BECKETT:TOWARDS THE FIN DE PARTIE OPERA
INDEX