Perspective as Logic: Positioning Film in Architecture (Routledge Research in Architecture)

Cover
Endorsements
Half Title
Series Page
Title Page
Copyright Page
Dedication
Contents
Figures
Acknowledgements
Introduction
	Approaching the Observation: Theoretical Framework
	Design Strategy: Hypotheses and Arguments
	Process of Design Experiments: Drawings and Models
	Structure of Book
	Notes
	References
1. Positioning the Screen: Logic of Perspective
	Reality Effect and the Mirror Stage
	Shock Effects and 3D Mapping
	Virilio\'s Prediction
	The Screen and the Fiction of Architecture\'s Symbolic (2D-3D)
	Notes
	References
2. Problematizing the Screen: Duality of Representation
	Abscence and Illusion
	Problematizing Architecture\'s Symbolic
	Demonstration and Perspective Projection
	Notes
	References
3. Analysing the Screen: Vision and Mediation
	Facsimile: Fiction and the Undecidability of Moving Images
	Para-Site: Impossible View and Impossible Point of View
	The Slow House: The Question of Mediation
	Notes
	References
4. Questioning the Screen: Architectural Limits of Representation
	Peter Eisenman and the Rhetorical Figure
	Brunelleschi and Eisenman
	Michael Webb and Two Names for Infinity
		Perspective as an Order Relation Between the Void (Ø) and Infinity (ω)
	Notes
	References
5. Demonstrating the Screen: Undoing the Showing
	Logic of Perspective
	Suture and Retroaction: Layered and Recursive House
	Perspective as Logic
	Note
	References
Conclusion
	Concluding Remarks and Further Research
	References
Index