Made in Greece: Studies in Popular Music

Cover
Title
Copyright
Contents
List of Illustrations
Preface
Series Foreword
Introduction: Greek Popular Music Studies?
Part I: Hugely Popular
	1 Sentiment, Memory, and Identity in Greek Laiko Music (1945–1967)
	2 Anna Vissi: Singing Greece’s Contemporary Socio-Cultural History
	3 No More Babes on the Dance-Stage: The Changing Modes of Spectatorship in Athenian Live Music Nightclubs
Part II: Art Song Trajectories
	4 “Art-Popular” Song and Modern Greek Poets – Interactions and Ideologies: The Case of Mikis Theodorakis
	5 An “Impossible” Place: The Creative Antinomies of Manos Hadjidakis’ Modernism
	6 Producing Entechno: Amalgamation and Hybridization in a Controversial Musical Style
Part III: Greekness beyond Greekness
	7 Musical Poiesis, Erotic Cosmology, and Commodity Life: The Lena Platonos Project
	8 Digital Music Creativity: Chipmusic in/from Greece
	9 “Sharing What We Lack”: Contextualizing Live Experimental Music in Post-2009 Athens
Part IV: Counter-Stories
	10 Popular Music and the Colonels: Terror and Manipulation under the Military Dictatorship (1967–1974)
	11 Popular Gypsy Musicians and the Political Economy of Affect in Contemporary Greece
	12 “Lëviz mo la!”: Albanian Rap Music Made in Athens
Part V: Present Musical Pasts
	13 Popular Music in Crete: The Case of the Lyra-Laouto Ensemble
	14 “Dedicated to the Jamaica of Greece!”: Inventing Tradition, Copyrighting Place, and World Music Transformations of an Island Folk Dance
	15 Past Forward: Creative Re-inventions of Urban Popular Song in the Music of Sokratis Malamas
CODA
	16 Is Zorba More Greek than Greek Music?: How Greek Music is Perceived and Reproduced beyond Greece’s Borders
AFTERWORD
	17 A Head Full of Gold: A Discussion with Yiannis Angelakas
Notes on Contributors
Index