Historical Narratives of Global Modern Art (Routledge Research in Art History)

Cover
Half Title
Series
Title
Copyright
Contents
List of Figures
List of Contributors
Foreword
Acknowledgments
Introduction: Modern Art: A Global Story
Prequel. Helen Gardner and Art Through the Ages, 1948: A World Panorama of Art
Part I 1870–1920
	1 Impressionism and Globalization
	2 Picturing the Dead: Posthumous Portraits of Infants and Children in Turn-of-the-Century Mexican Photography
	3 Art and Revival in Ireland, 1830–1930
	4 The “Marbelous” Movement: 1871–1922 Victorian England
	5 “On or About 1910,” London’s New Bond Street, and the Global Art Market
	6 Modernism, Transnational networks and Pan-Africanist Thought in Early Twentieth Century African American Art
Part II 1920–1940
	7 Berlin, Bauhaus, Bucharest: Re-Making Modernism in the Global Peripheries
	8 Chinese Photography Criticism and Theory in Republican China: The Cases of Lu Xun and Liu Bannong
	9 Primitive Surfaces: Elena Izcue, Peruvian Indigenism, and the Racial Politics of Modernist Ornament
	10 The Black Legend of Mexican Painting
	11 Neo-Baroque Architecture and Sculpture in the Portuguese Estado Novo (1926–1974): The Genealogy of a Marginalized Concept
Part III 1940–1970
	12 Inter-Asian Cultural Dialogues
	13 Thomaz Farkas and Mid-Century Brazilian Photographic Networks
	14 Modern Islamicate Painting, 1940–1970
	15 Two Pioneering Women Bring Abstraction to the Andes
	16 The Global Contexts of Modern African Art: Negotiating Blackness, Modern Art, and African Identities in Paris
	17 A Full Embrace of the Global in Modern Art: International Exhibitions and the Re-writing of Art History
Conclusion
Index