Genre in Archaic and Classical Greek Poetry: Theories and Models

‎Contents
‎Preface and Acknowledgments
‎Note on Abbreviations, Texts, and Translations
‎Figures and Tables
	‎Figures
	‎Table
‎Notes on Contributors
‎Introduction (Foster, Kurke, and Weiss)
‎Part 1. Keynote Address
	‎Chapter 1. Genre, Occasion, and Choral Mimesis Revisited, with Special Reference to the “Newest Sappho” (Nagy)
‎Part 2. Genre, Generification, and Performance
	‎Chapter 2. Linus: The Rise and Fall of Lyric Genres (Ford)
	‎Chapter 3. Sappho’s Parachoral Monody (Power)
	‎Chapter 4. The Speaking Persona: Ancient Commentators on Choral Performance (Schironi)
‎Part 3. Genre Mixing
	‎Chapter 5. Chorus Lines: Catalogues and Choruses in Archaic and Early Classical Hexameter Poetry and Choral Lyric (Steiner)
	‎Chapter 6. Generic Hybridity in Athenian Tragedy (Weiss)
	‎Chapter 7. Athens and Apolline Polyphony in Bacchylides’ Ode 16 (Foster)
‎Part 4. Affect, Materiality, and the Body: The Somatics of Genre
	‎Chapter 8. Is Korybantic Performance a (Lyric) Genre? (Griffith)
	‎Chapter 9. Iambic Horror: Shivers and Brokenness in Archilochus and Hipponax (Telò)
	‎Chapter 10. Experiencing Elegy: Materiality and Visuality in the Ambracian Polyandrion (Estrin)
	‎Chapter 11. Pindar, Paean 6: Genre as Embodied Cultural Knowledge (Olsen)
‎Bibliography
‎Index Locorum
‎General Index