Comic Empires: Imperialism in Cartoons, Caricature, and Satirical Art

Front matter
Contents
List of figures
Contributors
Acknowledgements
Introduction: the importance of cartoons, caricature, and satirical art in imperial contexts
PART I: High imperialism and colonialism
	Courting the colonies: Linley Sambourne, Punch, and imperial allegory
	‘Master Jonathan’ in Cuba: a case study in colonial Bildungskarikatur
	‘The international Siamese twins’: the iconography of Anglo-American inter-imperialism
	‘“Every dog” (no distinction of color) “has his day”’: Thomas Nast and the colonisation of the American West
PART II: The critique of empire and the context of decolonisation
	The making of harmony and war, from New Year Prints to propaganda cartoons during China’s Second Sino-Japanese War
	David Low and India
	Between imagined and ‘real’: Sarukhan’s al-Masri Effendi cartoons in the first half of the 1930s
	The iconography of decolonisation in the cartoons of the Suez Crisis, 1956
	Punch and the Cyprus emergency, 1955–1959
PART III: Ambiguities of empire
	Outrage and imperialism, confusion and indifference: Punch and the Armenian massacres of 1894–1896
	Ambiguities in the fight waged by the socialist satirical review Der Wahre Jacob against militarism and imperialism
	The ‘confounded socialists’ and the ‘Commonwealth Co-operative Society’: cartoons and British imperialism during the Attlee Labour government
	Australian cartoonists at the end of empire: no more ‘Australia for the White Man’
Index