Adrian Frutiger: Typefaces

Content: Adrian Frutiger: the standard-setter / Kurt Weidemann --
A typeface is a tool / Adrian Frutiger --
How we made this book --
How to use this book --
Adrian's teachers and mentors --
[Typefaces] : Président 
 Delta 
 Phoebus 
 Element-Grotesk 
 Federduktus 
 Ondine 
 Méridian 
 Caractères Lumitype --
Univers : About Univers 
 Historical background 
 Univers diagrams 
 Static grotesque Antique Presse and Univad 
 Non-latin typefaces 
 Univers extensions 
 Linotype Univers 
 Univers original versus digital 
 Univers adaptations 
 Frutiger's thoughts on the new Linotype Univers 
 Typeface comparison --
Egyptienne F 
 Opéra 
 Alphabet Orly 
 Apollo 
 Alphabet Entreprise Francis Bouygues 
 Concorde 
 Serifen-Grotesk/Gespannte Grotesk 
 Alphabet Algol 
 OCR-8 --
Univers-IBM Composer 
 Alphabet EDF-GDF 
 Katalog 
 Devanagari/Tamil 
 Alpha BP 
 Documents 
 Alphabet Roissy 
 Alphabet Brancher 
 Iridium 
 Alphabet Métro 
 Alphabet Centre Georges Pompidou --
Frutiger : A signage type becomes a text type 
 Frutiger for phototypesetting 
 Comparison between Concorde, Roissy, Frutiger 
 Frutiger LT PostScript 
 Frutiger for form and the Post Office 
 A true cursive in addition to the grotesque 
 Is Frutiger Next really a Frutiger? 
 The digital versions 
 Imitations of Frutiger 
 The colour of a typeface 
 Typeface comparison 
 Back to signage type: Astra Frutiger --
Glypha 
 Icone 
 Breughel 
 Dolmen 
 Tiemann 
 Versailles 
 Linotype Centennial 
 Avenir 
 Westside 
 Vectora 
 Linotype Didot 
 Herculanum 
 Shiseido 
 Frutiger capitals 
 Rusticana 
 Frutiger stones / Frutiger symbols 
 Frutiger neonscript 
 Nami --
Synopsis of Frutiger-typefaces 
 Production of type: Handsetting 
 Lumitype photosetting 
 Machine setting: single-letter casting 
 Monophoto photosetting 
 Machine setting: line-casting 
 OCR technology 
 Strike-on composition 
 Transfer type 
 Linofilm photosetting 
 CRT setting 
 Lasersetting 
 Digital typesetting --
Logos and wordmarks.