Adaptation and the New Art Film: Remaking the Classics in the Twilight of Cinema (Palgrave Studies in Adaptation and Visual Culture)

Acknowledgments
Contents
List of Figures
Chapter 1: Introduction
	The Art Film
	Adaptation and Remaking
	Postmodernism and the Decline of Theatrical Exhibition
	Bibliography
Part I: Adapting a Classic Film
	Chapter 2: Rainer Werner Fassbinder and Douglas Sirk: Recreation of All That Heaven Allows as Angst essen Seele auf (1974)
		Fassbinder’s Background in the Theater
		The Filmmaking Environment of the 1960s: Remaking Godard
		Fassbinder’s Encounter with the Films of Douglas Sirk
		From All That Heaven Allows to Fear Eats the Soul
		Fear Eats the Soul as an Adaptation
		Bibliography
	Chapter 3: Far from Heaven (2002)
		Bibliography
Part II: Film(s) to Film
	Chapter 4: Les amants du Pont-Neuf (1991) and City Lights (1931)
		Leos Carax and Alex
		The Two Narratives
		Chaplin and Alex as Performers
		The Social Text
		The Other Major Intertext: L’Atalante
		Stylistic Hybridity
		Bibliography
	Chapter 5: Rewriting Roma città aperta (1945) as Das Leben der Anderen (2006)
		Realism and Authenticity; Admiration and Criticism
		The Lives of Others, in Dialogue with Rome Open City
		Bibliography
	Chapter 6: From All About Eve (1950) to Clouds of Sils Maria (2014): Adapting a Classic Paradigm
		Bibliography
Part III: Book/Film/Film Multiplicities
	Chapter 7: Chantal Akerman, Marcel Proust, and Alfred Hitchcock’s Vertigo (1958)
		Chantal Akerman
		La Captive
		Akerman’s Proust
		Vertigo
		Bibliography
	Chapter 8: From Dashiell Hammett to the Coen Brothers’ Miller’s Crossing (1990)
		The Coen Brothers, Blood Simple, and Raising Arizona
		Dashiell Hammett and The Glass Key
		The Early Films, 1935 and 1942
		Miller’s Crossing
		Bibliography
	Chapter 9: Citizen Kane (1941) and Baz Luhrmann’s The Great Gatsby (2013)
		Baz Luhrmann’s “Red Curtain” Cinema
		The Great Gatsby (2013)
		The Aviator and Citizen Kane
		Citizen Kane and The Great Gatsby
		Conclusion
		Bibliography
Index