Yellow Crocodiles and Blue Oranges: Russian Animated Film since World War II

Contents\nIllustrations\nIntroduction: Socialism and the Big-Hearted Silliness of Soviet Popular Culture\nPART ONE: THE PHILOSOPHY AND SOCIALIST STATUS OF THE ANIMATED EPOCHÉ\n	1 Is the Philosophy of Soviet Animation an Anomaly?\n	2 Cartography: Mapping the Status of Phenomenology in the Soviet Union\nPART TWO: THE PROVENANCE OF ANIMATED PHENOMENOLOGY\n	3 Several Paradoxes of Soviet Realism and Disney\'s Unexpected Alternative\n	4 The Annals of Soviet Animation: Consciousness versus Historicism\n		I: From World War Two until 1970\n		II: From 1970 to the Present\nPART THREE: JOURNALISM AND THE VOX POPULI\n	5 Realism: The Press and Public Respond\n	6 Originality: Innovation and the Tenacity of Logocentrism and Profiteering\n	7 Humour: Minor Modes and Major Politics\n	8 Music: The Remarkable, Kind Laws of the \"Land of Animation\"\nConclusion\nNotes\nBibliography\nFilmography\nScreenplays\nIndex\n	A\n	B\n	C\n	D\n	E\n	F\n	G\n	H\n	I\n	J\n	K\n	L\n	M\n	N\n	O\n	P\n	R\n	S\n	T\n	U\n	V\n	W\n	Y\n	Z