Women Photographers and Mexican Modernity: Framing the Twentieth Century

Cover
Half Title
Series Page
Title Page
Copyright Page
Contents
List of Contributors
Acknowledgments
Introduction
PART I: Gendering the Gaze: Frame, Context, Collaboration
	1. In and Around Photographic Portraits (or Portraiture?)
	2. The Margins and Potential Horizons of Mexico’s Postrevolutionary Modernity in Four Photographs by Tina Modotti, Kati Horna, Mariana Yampolsky, and Elsa Medina
PART II: Counter-Perspectives: Ideologies, Subjectivity, and Corporeality
	3. Earth Images: Tina Modotti and Agrarian Radicalism in Mexico
	4. Fundamental Considerations for Mariana Yampolsky’s Photography
	5. Gaze as Mirror/Encountering the Other: On the Photographic Communication of Graciela Iturbide
	6. Unsettling Hyper-Heteronormative Masculinity: Lourdes Grobet’s Family Portraits
PART III: Re-Presenting Gender and Race
	7. Solidarity and Witnessing in the Photographs of Marta Zarak
	8. A Record of Things Seen: The Photographs of Frida Hartz in Irma Pineda’s Guie’ni Zebe/La flor que se llevó
	9. Seeing and Feeling the 1990s: Phototextual Explorations by Maruch Sántiz Gómez and Xunka’ López Díaz
	10. The Untold Story of Black Mexico: Uncovering the Identity of the Afro-Descendant Woman in the Photography of Koral Carballo and Mara Sánchez Renero
Epilogue
Index