Women, Art and Money in Late Victorian and Edwardian England: The Hustle and the Scramble

Title Page
Copyright Page
Contents
List of Abbreviations
Acknowledgements
Series Editor’s Introduction
Introduction: Money, Professionalism and Reputation
	England’s art world in the late nineteenth century
	The state of the field
	Methodology and sources
	Notes
Part 1: From Student to Studio
	Chapter 1: Training for the Market
		Education and the professional ideal
		Market-specific training
		A school fit for women
		Conclusion
		Notes
	Chapter 2: Commerce and Family in the Home Studio
		Married life in the studio
		The family studio as community hub
		Conclusion
		Notes
	Chapter 3: Single Ladies and Studio Celebrities
		Performing studio life
		Studios and the single girl
		Conclusion
		Notes
Part 2: Commerce, Enterprise, Display
	Chapter 4: Academy Politics
		Reforming art’s aristocracy?
		The politics of membership
		Conclusion
		Notes
	Chapter 5: Members of the Club
		The exhibition marketplace
		Exhibition gatekeepers
		No men allowed
		Conclusion
		Notes
	Chapter 6: Making a Living through Middle-Class Demand
		The business of art in late nineteenth-century London
		Commercial galleries
		The role of art dealers
		Conclusion
		Notes
	Chapter 7: Portraiture and Patronage
		The business of portraiture
		Attracting patronage
		Conclusion
		Notes
	Chapter 8: Illustrating Success
		Press and book illustration
		Cards, valentines and printed ephemera
		Conclusion
		Notes
Conclusion
	Notes
Appendix 1: Artist Biographies
	Elizabeth Butler (nee Thompson) 1846–1933
	Evelyn De Morgan (nee Pickering) 1855–1919
	Gertrude Demain Hammond 1862–1952 and Christiana Demain Hammond 1860–1900
	Elizabeth Forbes (nee Armstrong) 1859–1912
	Maude Goodman 1853–1938
	Kate Greenaway 1846–1901
	Gwen John 1876–1939
	Louise Jopling (nee Goode) 1843–1933
	Lucy Kemp-Welch 1869–1958
	Laura Knight (nee Johnson) 1877–1970
	Gertrude Massey (nee Seth) 1868–1957
	Henrietta Rae 1859–1928
	Ethel Wright 1866–1939
Appendix 2: A Selection of Price Comparisons between Male and Female Artists of the late Victorian and Edwardian Period
	Landscape, garden and animal pictures
	Subject and genre pictures
	Classical subject and late pre-Raphaelite pictures
	Purchased by the Chantrey Bequest
	Yearly incomes
	Notes
Select Bibliography
	Online resources
	Select primary sources
	Select newspapers and journals
	Archives
Index