Women, the Arts, and Dictatorship in the Portuguese-Speaking Context: Tensions, Disputes, and Post-Memory Heritage

Table of Contents
Introduction
Experiment and Evidence
Unfinished Heritages: Artistic Portuguese Post-Memory Conversations about Dictatorship and Colonial Heritage
Postcolonial and Decolonial Feminisms: Archaeologies, Tensions, Disputes
From Fiction to Activism: Rounding out the Memory of Maria Lamas
Djaimilia Pereira de Almeida, The Telephones: A Tribute to the ‘Literary Genre of the Diaspora’ and the Reinvention of a Narrative Poetics
Post-Utopia, Post-Conflict Literary Trends in Twenty-First-Century African Literatures: The Cases of Ana Paula Tavares and Conceição Lima
An “Independent Spirit”: The Work of Sarah Affonso (1899–1983) and the Changing Cultural Terrain of Mid-Twentieth-Century Portugal
Inventing a Language of Her Own: Writing in Teresinha Soares’ Artistic Practice
Poetics of Survival: (Critical) Process and Archive in Rosana Paulino’s ¿História Natural?
Bertina Lopes: Cartographic Notes on a Transnational Artist
Archival images of the Estado Novo in Portuguese Film: A Gendered Perspective in Brandos Costumes (1975), Natal 71 (1999) and Natureza Morta (2005)
Yvone Kane, Memory, Mourning, and Melancholia: Unresolved Pasts and “Lost Futures”
List of Contributors
Index