Why/Why Not

Content: Cover
 Contents
 1 perplexities
 In the perplexities
 Each had been reading the night before
 In consequence
 Causality
 A rational explanation
 The placement of things
 After the dark came
 Odi et amo 1
 Odi et amo 2
 Odi et amo 3
 Odi et amo 4
 2 why knowing is
 --
why knowing is -
 Why knowing is / (& Matisse's Woman with a Hat)
 How often, meaning what sort of quandariness
 The decisions are already past
 And so geography
 Hopelessly lost / (& a beach painting by Renoir)
 It seems the energy
 If it is someone else's rent / (& van Gogh's The Bedroom)
 Unable to keep the spill from spilling. Trying to move outThe cause for wandering
 In the church with angel heads / (& a portrait of Mary and child)
 Waking from exhaustion
 And yet
 The very insignificance was what
 Considering the waywardness
 Avoidance proper is a verb
 --
act 3 -
 Act 3
 The scene of the crime
 Anticipation
 The missing person
 The missing memory
 That subject again
 The remains
 Bounded in a nutshell
 A dream itself is but a shadow
 Mysterious rooms
 Acting
 The mother
 The logic of alphabets
 Words, words, words
 The reason for seduction on a maroon couch
 The point of no return
 A memory of the pond. Photographic proofOphelia over the pond
 3 why/why not
 --
why -
 Explanations beside the point
 By what means saying I know this or see that
 I'm told you can't be in the quandary
 Does it matter why the bell lacks a clapper
 If I want it to be what was even though I could hardly wait
 If I say I don't believe you is this impatience
 The paragraph she gives me to live in is I don't know how
 Shoes are why every moment is a fact I wish I could
 Where we'll walk to and why and having learned
 How forward looking can we be in the midst of the future. As a motto go slow ought to work out wondering or notWhy in the middle of a perfectly good season
 --
why not -
 OK it's over she
 Almost immediately a chance at another
 When it's an obvious ploy
 I don't want to know you anymore
 Moss eats recollection
 Recall the sea then
 I'm always in the way
 Thistles in a sock for the birds
 It's a covet
 If love goes on and always does
 The object is now greener
 OK so you're creeping along
 The decision in absentia
 There's many a slip
 They all loved nature
 She's gotten too too
 No endings or beginnings or anything. How can a lemon be a subject of anythingAcknowledgments.