White Male Disability in Modernist Literature: Reading Lawrence, Hemingway, and Faulkner (Costerus New, 233)

Half Title
Series Information
Title Page
Copyright Page
Contents
Acknowledgements
Abbreviations
Chapter 1 Foundations
	1 Wandering Rocks
	2 Representing Disabled Men in Modern Literature
	3 Disability
	4 Masculinity
	5 Modernist Deformations
Chapter 2 Imperial Self and Sexual Other in D.H. Lawrence’s Lady Chatterley’s Lover
	1 Feeling the Apocalypse
	2 Male Corporeality and Female Power
		2.1 Clifford’s Disabled Body
		2.2 Shifting Power Relations
		2.3 The Power of Connie
	3 The Thing Outside
		3.1 Wholeness and Disintegration
		3.2 Old England
		3.3 Imperial Discomfort
		3.4 Der Untergang des Abendlands
		3.5 The East Is a Career
		3.6 Colonizing the Body
		3.7 Children and Futurity
	4 Out of the Void
Chapter 3 Crip/Queer Corporeality in Ernest Hemingway’s The Sun Also Rises
	1 Jake’s Joke Front
		1.1 Brett’s Female Masculinity
		1.2 Postwar Masculinity
		1.3 Shame and Concealment
	2 The Disability Closet
		2.1 Disability and (Homo)Sexuality
		2.2 Jake as Homosexual
	3 Jake’s Crip/Queer Interventions
		3.1 Coming Out Crip
		3.2 The Closeted Narrator
		3.3 Crip/Queer/Sex
	4 Disability as a Creative Alternative Corporeality
	5 It All Depends
Chapter 4 Extraordinary Minds and Interdependence in William Faulkner’s The Sound and The Fury
	1 A Tale Told by an Idiot
		1.1 Eugenics, Buck v. Bell, and the Idiocy Debate
		1.2 Understanding Benjy
	2 Rereading Benjy Compson
		2.1 He Been Three Years Old Thirty Years: Infantilization
		2.2 They Making a Bluegum Out of You: Blackness
		2.3 Disabling Reading
		2.4 Idiocy and the Avant-Garde
	3 The Compson Pathology
	4 Getting Tenderness: Webs of Care
		4.1 The Help: Race and Care Work
		4.2 The Mother: Gender and Care Work
		4.3 The Mammy: Race, Gender, and Care Work
	5 (Inter)Dependencies
		5.1 Southern Masculinity and the Self-Made Man
		5.2 Power and the Southern Woman
	6 Obverse Reflections
Chapter 5 Conclusion
Works Cited
Index