Vocal Music and Contemporary Identities: Unlimited Voices in East Asia and the West

Cover
Vocal Music and Contemporary Identities
Title Page
Copyright Page
Table of Contents
List of Figures and Tables
Acknowledgments
1 Introduction: Voice, Identities, and Reflexive Globalization in Contemporary Music Practices
PART I Global Perspectives on the Voice
	2 Presence and Ethicity of the Voice
	3 The Rediscovery of Presence: Intercultural Passages through Vocal Spaces between Speech and Song
	4 Imagining the Other’s Voice: On Composing across Vocal Traditions
PART II Voices of/in Art Music
	5 Voice, Culture, and Ethnicity in Contemporary Chinese Compositions
	6 Narrative, Voice, and Reality in the Operas by Hosokawa Toshio and Mochizuki Misato
	7 Reconsidering Traditional Vocal Practices in Contemporary Korean Music
	8 Escaped from Paradise? Construction of Identity and Elements of Ritual in Vocal Works by Helmut Lachenmann and Giacinto Scelsi
	9 The Notation and Use of the Voice in Non-semantic Contexts: Phonetic Organization in the Vocal Music of Dieter Schnebel, Brian Ferneyhough, and Georges Aperghis
PART III Voices of/in Popular Music and Media Art
	10 A “Digital Opera” at the Boundaries of Transnationalism: Human and Synthesized Voices in Zuni Icosahedron’s The Memory Palace of Matteo Ricci
	11 “Voices of the Mainstream”: Red Songs and Revolutionary Identities in the People’s Republic of China
	12 Asagi’s Voice: Learning How to Desire with Japanese Visual-kei
	13 Voicing Body, Voicing Seoul: Vocalization, Body, and Ethnicity in Korean Popular Music
	14 Afterword: Giving Voice to Difference
Contributors
Index