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دانلود کتاب Video Production: Disciplines and Techniques
دانلود کتاب تولید ویدئو: رشته ها و تکنیک ها
مشخصات کتاب
Video Production: Disciplines and Techniques
ویرایش: نویسندگان: James C. Foust, Edward J Fink, Lynne S Gross سری: ISBN (شابک) : 2017008025, 9781138051805 ناشر: Routledge سال نشر: 2017 تعداد صفحات: [332] زبان: English فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) حجم فایل: 51 Mb
قیمت کتاب (تومان) : 46,000
در صورت تبدیل فایل کتاب Video Production: Disciplines and Techniques به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب تولید ویدئو: رشته ها و تکنیک ها نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
توضیحاتی در مورد کتاب تولید ویدئو: رشته ها و تکنیک ها
اشلی پس از قطع نامزدی خود به پدر و مادرش پناه می برد و در آنجا با دوستان دبیرستانی خود ارتباط برقرار می کند. اینگونه است که او کسی را می یابد که بهترین دوست او بوده است: جاشوا فارستر. از نوجوان کوچک، دلال و خجالتی، او دیگر چیزی را تشخیص نمی دهد. او تبدیل به یک مرد شیطانی سکسی و مبتکر شده است. ناامید، تحقیر شده از خیانت نامزدش، به او اعتماد می کند. بیش از فریب، این سخنان قاتلانه سابقش بود که او را کبود کرد: «تو یک تکه یخ هستی. تو یخ زده ای جاشوا که مصمم است برعکس را به او نشان دهد، به او شرط بندی می کند: به او ثابت کند که می تواند برای یک شام عاشقانه با یک مرد خوش بگذراند. یک رابطه پنهانی و پرشور بین آنها آغاز می شود: دوستان در روز، عاشقان در شب. اما آیا این رابطه نفسانی خطر خراب کردن همه چیز در دوستی دوباره آنها را ندارد؟
توضیحاتی درمورد کتاب به خارجی
Après avoir rompu ses fiançailles, Ashley se refugie chez ses parents où elle renoue le contact avec ses amis de lycée. C’est ainsi qu’elle retrouve celui qui avait été son meilleur ami : Joshua Forester. De l'adolescent petit, boutonneux et timide, elle ne reconnaît plus rien. Il est devenu un homme diablement sexy et entreprenant. Désespérée, humiliée par la trahison de son fiancé, elle se confie à lui. Plus que la tromperie, ce sont les paroles assassines de son ex qui l’ont meurtrie : « Tu es un glaçon. Tu es frigide. » Bien décidé à lui démontrer le contraire, Joshua lui propose un pari : lui prouver qu’elle peut prendre du plaisir avec un homme contre un dîner romantique. Commence entre eux une liaison secrète et passionnée : amis le jour, amants la nuit. Mais cette relation charnelle ne risque-t-elle pas de tout gâcher de leur amitié renaissante ?
فهرست مطالب
Cover Title Copyright Contents Preface Acknowledgments 1 Introduction to Video Production Types of Productions Studio Production Field Production Remote Production The Production Path Transducing Channeling Selecting and Altering Monitoring Recording and Playback Convergence and the Digital Age Differences between Analog and Digital High-Definition Television Convergence A Short History of Video Production Early Television Uses of Film and Live Camera The Impact of Recorded and Edited Video Portable Video Equipment Computer-Based Technologies Aspects of Employment in the Video Industry Work Patterns Types of Jobs Employment Preparation Disciplines and Techniques Focus Points Review On Set Notes 2 Cast and Crew Producers Before Production Begins During Rehearsal and Recording After the Production Directors Before Production Begins During Rehearsal and Recording After the Production Associate Directors Before Production Begins During Rehearsal and Recording After the Production Stage Managers Before Production Begins During Rehearsal and Recording After the Production Camera Operators Before Production Begins During Rehearsal and Recording After the Production Prompter Operators Before Production Begins During Rehearsal and Recording After the Production Lighting Directors Before Production Begins During Rehearsal and Recording After the Production Audio Engineers Before Production Begins During Rehearsal and Recording After the Production Graphics Operators Before Production Begins During Rehearsal and Recording After the Production Technical Directors Before Production Begins During Rehearsal and Recording After the Production Recordists Before Production Begins During Rehearsal and Recording After the Production Editors Before Production Begins During Rehearsal and Recording After the Production Other Positions Cast Performers Actors Focus Points Review On Set Notes 3 Producing and Scriptwriting Types of Producers Executive Producers Producers Associate and Assistant Producers Line Producers Hyphenates Budgets Costs of Productions Pay Rates Facilities and Equipment Constructing and Adhering to the Budget Budget Overruns Personnel Casting Crew Selection Schedules Legal Considerations Copyright Clearance Other Legal Issues Record Keeping Promotion and Evaluation Scriptwriting Treatments and Proposals Script Forms Focus Points Review On Set Notes 4 Directing The “Manager” Role Blocking Marking the Script Other Preparation Conducting Rehearsals Using Communication Devices Timing Calling Commands The “Artist” Role Shot Juxtaposition Camera Selection Shot Relationships Transitions The “Psychologist” Role Familiarity New Relationships Directorial Style Working with Talent Working with Crew Focus Points Review On Set Notes 5 Cameras Television Formats The Video Scanning Process Video Formats Principles of Video Color Hue Saturation Luminance Lens Characteristics Focal Length Focus F-Stop Aperture Depth of Field 3D and Virtual Reality Production Use of the Zoom Lens Ratio Movement Control Macro Lens Camera Controls Viewfinder Visual Indicators and Controls Shutter Control Filters White Balance Camera Control Unit Prompter DSLR and Smartphone Cameras DSLR Cameras Smartphone Cameras Camera Mounting and Movement Camera Head Movement Camera Mounts Camera Mount Movements Handheld Cameras Robotic Camera Control Drones Field of View The Long Shot (LS) The Medium Shot (MS) The Close-Up (CU) Picture Composition Framing Headroom Lead Room Depth Composition Angle of Elevation Balance Other Composition Problems Production Techniques Focus Points Review On Set Notes 6 Lighting Types of Light: Incident and Reflected Technical Lighting Objectives Intensity and Consistency Contrast Ratio Color Temperature Creative Lighting Objectives Shape, Texture, and Perspective Reality and Non-reality Mood Focus of Attention Lamps LED Fluorescent Quartz HMI Other Lamps Housings Spotlights Floodlights Lighting Styles Three-Point Lighting Multiple-Camera Lighting and Movement Flat Lighting Specialized Lighting Mounting Lights Hanging Mounts Floor Stands Lighting Control Factors Intensity Diffusion Shape Color Setting up Lights Safety Precautions and Disciplines Focus Points Review On Set Notes 7 Audio Microphones Frequency Amplitude Pickup Patterns Construction Positioning Possibilities Outboard Equipment Digital Equipment Analog Equipment Cables and Connectors Types of Cables Types of Connectors Patch Bays and Routers Care of Cables and Connectors Audio Consoles Types of Consoles The Basic Console Board Functions Speakers Recording Quality Sound Choose the Right Mic Position It Properly: Know and Use the Inverse Square Law Check and Recheck Provide Presence and Perspective Be Ready to Troubleshoot Adjust to Achieve the Right Balance Pay Close Attention Focus Points Review On Set Notes 8 Graphics and Sets Functions of Graphics and Sets Graphics Equipment Creating Graphics with Computers Working with Text Working with Graphics Storing and Recalling Graphics Graphics Aesthetics Graphic Design Aspect Ratios Other Graphics Using Out-of-Aspect Graphics Keystoning and Essential Area Basics of Sets Virtual Sets Physical Sets Furniture, Set Dressings, and Props Production Considerations When Creating Sets Camera Movement Microphone Placement Lighting Instruments Depth and the Z-Axis Talent Movement Focus Points Review On Set Notes 9 Video Switchers Switcher Basics Monitoring Multiple Signals Portable and Computer-Based Switchers Master Control and Routing Switchers Fundamentals of Switcher Design Buses Using the Preset Bus Wipes Keys Mix and Preview Buses Downstream Key and Fade Functions Operational Techniques for Video Switchers Switcher Overview Performing Dissolves Fader Movement Automatic Transitions Execution of the Wipe Transition Keyed Special Effects with Two and Three Sources Advanced Switcher Functions Digital Effects Advanced Controls The Director and the Technical Director Focus Points Review On Set Notes 10 Video Recording and Playback Video Basics Time Code Control and Diagnostic Components Composite and Component Signals Video Encoding and Compression Encoding Digital Video Compression Methods Containers Storage Technologies Hard Drives Optical Discs Solid State Media Video Servers Putting Video on Servers Using Servers Preparing Video for Multiple Devices Viewing Video Files Encoding Parameters Encoding Techniques Focus Points Review On Set Notes 11 Editing Editing Basics Off-line and On-line Editing Project Interchange Files Compression Editing Preparation Reviewing Decision Making Nonlinear Editing Techniques File Management Capturing and Importing Raw Material The Editing Workspace Output Editing Aesthetics When to Edit: Information and Action Pacing Cuts Jump Cuts Axis of Conversation/Axis of Action Special Transitions Ethics of Editing Focus Points Review On Set 12 Field Production Introduction Cast and Crew Crew Size Cleanup Nonsequential Shooting Producing Scripting Location Logistics Budgeting Conceptualization and Preproduction Planning Directing Rehearsals Production Processes Editing Aesthetics Cameras White Balancing Filters Power Camera Mounts and Movement Camera Care Lighting Indoor Location Lighting Outdoor Location Lighting Audio Microphones Control Equipment Wildtrack Extraneous Noise Graphics and Sets Graphics Sets Video Recording Setup and Connections Recording Procedures Editing The Editing Process Audio Editing Remote Truck Productions Focus Points Review On Set Glossary Index
