Transformational analysis in practice: Music-analytical studies on composers and musicians from around the world

Table of contents
List of figures
List of tables
List of examples
Acknowledgment
Contributors
Preface
Chapter 1 Neo-Riemannian analysis of Liszt’s Un Sospiro: A glance into the future
Chapter 2 The visual versatility of the Tonnetz : a neo-Riemannian methodology for Liszt’s late piano music
Chapter 3 Neo-Riemannian operations and enharmonic equivalents of consonant triads
Chapter 4 Models and transformations of voice exchanges as contextual inversions
Chapter 5 Neo-Riemannian analysis in the music of Leopoldo Miguéz: first movement of the violin sonata op. 14 as a case study
Chapter 6 Blended operations, flavored transformations: a neo-Riemannian case from the Turkish Five
Chapter 7 A neo-Riemannian perspective on Anton Webern’s Concerto for Nine instruments, op. 24
Chapter 8 Interval pairing in a serial context: Webern’s Variations, op. 30
Chapter 9 Neo-Riemannian analysis, neoclassical music and hybridity
Chapter 10 Non-triadic harmonic spaces and Fourier phase space
Chapter 11 A transformational approach to superimposition in contemporary jazz voicings
Chapter 12 Many paths at once: the interactive pitch space of “Pursuance” and improvisation in The John Coltrane Quartet
Chapter 13 An introduction to neo-Riemannian operations and their application in music production
A bibliography of studies in transformational theory
Index