Towards Gender Equality in the Music Industry: Education, Practice and Strategies for Change

Cover
Contents
List of Illustrations
Notes on Contributors
Acknowledgements
1 Towards Gender Equality in the Music Industry: An Introduction Catherine Strong and Sarah Raine
Part One Education
	2 Gender and Popular Music Education in North America: We Need to Talk Kelly Bylica and Ruth Wright
	3 Preparing for the ‘Real World’? Exploring Gender Issues in the Music Industry and the Role of Vocational Popular Music Higher Education Helen Elizabeth Davies
	4 Engineering a Place for Women: Gendered Experiences of the Music Technology Classroom Emma Hopkins and Pauwke Berkers
	5 Qualified Careers: Gendered Attitudes towards Screen Composition Education in Australia Catherine Strong and Fabian Cannizzo
Part Two Current Practice
	6 Gender, Policy and Popular Music in Australia: ‘I Think the Main Obstacles Are Men and Older Men’ Maura Edmond
	7 Setting the Stage for Sexual Assault: The Dynamics of Gender, Culture, Space and Sexual Violence at Live Music Events Bianca Fileborn, Phillip Wadds and Ash Barnes
	8 South-West England Open Mics: Gender Politics and Pints? Sharon Martin
	9 Gender Mainstreaming in the Music Industries: Perspectives from Sweden and the UK Sam de Boise
	10 The Gatekeeper Gap: Searching for Solutions to the UK’s Ongoing Gender Imbalance in Music Creation Emma Hooper
Part Three Strategies for Change
	11 Queer Noise: Sounding the Body of Historical Trauma Samuel Galloway and Joseph Sannicandro
	12 ‘There’s No Money in Record Deals and I’m Not Looking to Be Taken Advantage Of’: Princess Nokia and Urban Feminism in a New Era of Hip-Hop Hodan Omar Elmi
	13 ‘Kill It in a Man’s World’: Gender at the Intersection of the British Asian and Bollywood Music Industries Julia Szivak
	14 Keychanges at Cheltenham Jazz Festival: Issues of Gender in the UK Jazz Scene Sarah Raine
	15 Queer(ing) Music Production: Queer Women’s Experiences of Australian Punk Scenes Megan Sharp
Index