Through Hermopolitan Lenses, Studies on the So-called Book of Two Ways in Ancient Egypt

‎Contents
‎List of Figures
	‎Chapter 1: Introduction
	‎Chapter 2: The Design of the Composition
	‎Chapter 3: Design, Translation and Commentary
	‎Chapter 4: Concluding Remarks
‎List of Tables
‎List of Plates
‎Preface and Acknowledgements
‎Chapter 1. Introduction
	‎The publication of the Coffin Texts
	‎The sources of the so-called Book of Two Ways
	‎The Cairo leather roll
	‎False alarm
	‎The frequency of the composition at Deir El Barsha
	‎Earlier research on the so-called Book of Two Ways
	‎The first step
	‎The structure of this study
	‎This book’s story
	‎Terminological remarks
‎Chapter 2. The Design of the Composition
	‎Introduction
	‎Remarks on iconography
	‎The general layout
	‎The direction of the drawings
	‎The colors
	‎The development of the iconography
	‎Representations of living creatures
	‎Remarks on texts
	‎The disposition of the textual elements
	‎The composition versions
	‎The typology of the composition
‎Chapter 3. Design, Translation and Commentary
	‎Introduction
		‎The reference to the deceased in the early sources
	‎Part 1
		‎Design of Part 1
		‎Translation of Part 1
			‎Notes on the translation
		‎Commentary on Part 1
			‎The textual element 1
				‎Commentary on the first part of text 1 (= CT 1029)
				‎Commentary on the second part of text 1 (= CT 1030)
			‎Commentary on textual elements 2–4 (= CT 1032–1033)
			‎Commentary on the textual element 5 (= CT 1034)
	‎Part 2
		‎Design of Part 2
		‎Translation of Part 2
			‎Notes on the translation
		‎Commentary on Part 2
			‎Introduction
			‎Segment A (Textual elements 1–7 = CT 1036–1037)
			‎Segment B (Textual elements 8–13 = CT 1038–1040 + part of 1053)
			‎Segment C (Textual elements 14–18 = CT 1041–1042 + part of 1053)
			‎Segment D (Textual elements 19–22 = CT 1043–1044 + part of 1053)
			‎Segment E (Textual elements 23–26 = CT 1045)
			‎Segment F (Textual elements 27–28 = CT 1046 and 1052)
			‎Segment G (Textual elements 29–34 = CT 1047, 1049–1051, and part of 1053)
			‎Segment H (Textual element 35 = CT 1054)
			‎Segment I (Textual elements 36–39 = CT 1055–1056)
			‎Segment J (Textual elements 40–41 = CT 1057–1058)
			‎Segment K (Textual elements 42–43 = CT 1059–1060)
			‎Segment L (Textual elements 44–52 = CT 1061–1064)
			‎Segment M (Textual element 53 = CT 1065)
			‎Segment N (Textual elements 54–56 = CT 1066–1067)
			‎Segment O (Textual element 57 = CT 1068)
			‎Panoramic view on the “map” section
	‎Part 3
		‎Design of Part 3
		‎Translation of Part 3
			‎Notes on the translation
		‎Commentary on Part 3
			‎The first area (Textual elements 1–5)
			‎The second area (Textual elements 6–10)
			‎The third area (Textual elements 11–15)
	‎Part 4
		‎Design of Part 4
		‎Translation of Part 4
			‎Notes on the translation
		‎Commentary on Part 4
	‎Part 5
		‎Design of Part 5
		‎Translation of Part 5
			‎Notes on the translation
		‎Commentary on Part 5
	‎Part 6
		‎Design of Part 6
		‎Translation of Part 6
			‎Notes on the translation
		‎Commentary on Part 6
	‎Part 7
		‎Design of Part 7
		‎Translation of Part 7
			‎Notes on the translation
		‎Commentary on Part 7
	‎Part 8
		‎Design of Part 8
			‎1). The design of the area of CT 1088:
			‎2). The layout of the area of CT 1089–1094
			‎3). The design of the area of CT 1095–1096
		‎Translation of Part 8
			‎Notes on the translation
		‎Commentary on Part 8
			‎The area of CT 1088
			‎CT 1089–1096
	‎Part 9
		‎Design of Part 9
		‎Translation of Part 9
			‎Notes on the translation
		‎Commentary on Part 9
	‎Part 10
		‎Design of Part 10
		‎Translation of Part 10
			‎Notes on the translation
		‎Commentary on Part 10
	‎Part 11
		‎Design of Part 11
		‎Translation of Part 11
			‎Notes on the translation
		‎Commentary on Part 11
	‎Part 12
		‎Design of Part 12
		‎Translation of Part 12
			‎Notes on the translation
		‎Commentary on Part 12
	‎Part 13
		‎Design of Part 13
		‎Translation of Part 13
			‎Notes on the translation
		‎Commentary on Part 13
	‎Part 14
		‎Design of Part 14
		‎Translation of Part 14
			‎Notes on the translation
		‎Commentary on Part 14
	‎Part 15
		‎Design of Part 15
		‎Translation of Part 15
			‎Notes on the translation
		‎Commentary on Part 15
	‎Part 16
		‎Design of Part 16
		‎Translation of Part 16
			‎Notes on the translation
		‎Commentary on Part 16
	‎Part 17
		‎Design of Part 17
		‎Translation of Part 17
			‎Notes on the translation
		‎Commentary on Part 17
	‎Part 18
		‎Design of Part 18
		‎Translation of Part 18
			‎Notes on the translation
		‎Commentary on Part 18
	‎Part 19
		‎Design of Part 19
		‎Translation of Part 19
			‎Notes on the translation
		‎Commentary on Part 19
	‎Part 20
		‎Design of Part 20
		‎Translation of Part 20
			‎Notes on the translation
		‎Commentary on Part 20
‎Chapter 4. Concluding Remarks
	‎The typology of the design
	‎“Long” versus “short” versions?
	‎Is there a best representative example?
	‎The history of the composition
	‎Origin and originality
	‎The meaning of the composition
		‎Difficulties and challenges
		‎Towards an interpretation
		‎The interlocutory patterns
		‎The composition in context
		‎The mythical episodes
		‎The Osirian myth
		‎Thoth and the moon
		‎The Winding Waterway
		‎The Field of Offerings is not the destination
		‎Rosetau in the composition
		‎B1Bo in focus
		‎The composition and initiation
		‎The complementarity of word and image
		‎Through Hermopolitan lenses
‎Addendum 1
‎Addendum 2
‎Abbreviations of Periodicals and Book Series
‎Bibliography
‎Egyptian Index
‎General Index
‎Plates