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دانلود کتاب The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century China
دانلود کتاب شخصیت والای تاریخ: زیبایی شناسی و سیاست در چین قرن بیستم
مشخصات کتاب
The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century China
ویرایش:
نویسندگان: Ban Wang
سری:
ISBN (شابک) : 0804728461, 9780804728461
ناشر: Stanford University Press
سال نشر: 1997
تعداد صفحات: 164
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 14 مگابایت
قیمت کتاب (تومان) : 32,000
در صورت تبدیل فایل کتاب The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century China به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب شخصیت والای تاریخ: زیبایی شناسی و سیاست در چین قرن بیستم نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
توضیحاتی در مورد کتاب شخصیت والای تاریخ: زیبایی شناسی و سیاست در چین قرن بیستم
توضیحاتی درمورد کتاب به خارجی
Through a comparative analysis of diverse texts and contexts,
this book offers a cultural history of the interplay between
the aesthetic and the political in the formation of personal
and collective identity that crystallizes into the Chinese
aesthetic of the sublime.
It describes how various kinds of politics are aestheticized
and how aesthetic manifestations are bound up with prevalent
ideologies and politics. In this book, politics refers to
various projects for fashioning a viable self, a workable
personal and collective identity in the crisis-ridden history
of modern China. These projects include imagining a political
subject adapted to the modern nation-state, mobilizing
revolutionary masses as subjects of the Communist state,
sustaining a unified self despite the challenges to traditional
culture, erecting the sublime figure of the revolutionary hero,
and, finally, debunking the grand images of the hero and
history in post-Mao culture. Throughout, the author seeks to
delineate the ways the political masquerades as aesthetic
discourse and aesthetic experience.
Covering a wide range of material from fiction, poetry,
aesthetics, and political discourse to memoirs, film, and
historical documents, the book reconsiders a number of
prominent cultural figures, including Wang Guowei, Cai Yuanpei,
Lu Xun, Eileen Chang, Mao Zedong, Zhu Guangqian, and Li Zehou.
It also analyzes such important cultural features and events as
Western influences on the formation of modern Chinese aesthetic
discourse, modernist writings, Revolutionary Cinema, the
Cultural Revolution, and New Wave Fiction.
An East-West comparative approach informs the analysis, which
engages in dialogue with Kant, Hegel, Freud, Marx, and Walter
Benjamin, as well as Terry Eagleton and other contemporary
critics. The author's interdisciplinary method, which
emphasizes the interaction among text, context, and the psyche,
both presents new materials and illuminates familiar texts and
phenomena from the perspective of the political-aesthetic
nexus.
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