The Philosopher and Music: A Historical Survey

COVER
HALF TITLE
ACKNOWLEDGMENTS
INTRODUCTION
CONTENTS
I. The Greeks
	1. THE PRE-SOCRATICS
	2. PLATO
	3. ARISTOTLE
	4. ARISTOXENUS AND THE PYTHAGOREANS
	5. THE GRECO-ROMAN ERA
II. Medieval Music
	1. THE PATRISTICS
	2. BOETHIUS
	3. THE GREGORIAN CHANT
	4. THE MEDIEVAL PHILOSOPHER AND MUSIC
	5. THE LITURGICAL DRAMA
	6. THE ITINERANT MUSICIAN
III. The Philosopher and Music in the Gothic and Renaissance
	1. THE PHILOSOPHER, THE CHURCH AND MEDIEVAL POLYPHONY
	2. THE MUSICIAN, THE CHURCH AND MEDIEVAL POLYPHONY
	3. THE FLORENTINE ACADEMY
	4. THE AESTHETICS OF RENAISSANCE MUSIC
IV. Protestant Music
	1. LUTHER
	2. CALVIN
	3. AESTHETIC SIMILARITIES IN PROTESTANT, CATHOLIC AND JEWISH MUSIC
V. The Aesthetics of Music in the Baroque Era
	1. OPERA AND GREEK DRAMA
	2. THE AESTHETICS OF THE ITALIAN OPERA
	3. THE MUSIC OF FRANCE, ENGLAND AND GERMANY
VI. Rationalism, Enlightenment and the Classical Era in Music
	1. FROM. DESCARTES TO KANT
	2. HAYDN, MOZART AND BEETHOVEN
VII. Post-Kantian Philosophy and Romanticism in Music
	1. THE MUSICAL PHILOSOPHIES OF HEGEL, SCHOPENHAUER, AND NIETZSCHE
	2. WAGNER AND HANSLICK
	3. THE COMPOSER IN THE ROMANTIC ERA
VIII. Musical Philosophies of Our Time
	1. PLATONIC ECHOES IN THE MODERN WORLD
	2. MUSIC, THE CHURCH AND THE STATE
	3. MUSIC AS EXPRESSION
	4. A NEW AESTHETICS OF MUSIC
IX. Criteria for an Aesthetics of Music
	1. THE PHILOSOPHER AND THE MUSICIAN
	2. THE MEANING AND NATURE OF MUSIC
	3. A PHILOSOPHY OF MUSICAL VALUES
BIBLIOGRAPHY
INDEX