The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks

Front Matter....Pages i-xix
Introduction....Pages 1-13
Front Matter....Pages 15-15
From Noise: Blurring the Boundaries of the Soundtrack....Pages 17-32
Interview 1: Sound Recording, Sound Design and Collaboration—An Interview with Ann Kroeber....Pages 33-42
Organizing Sound: Labour Organizations and Power Struggles that Helped Define Music and Sound in Hollywood....Pages 43-56
Mixing as a Hyperorchestration Tool....Pages 57-72
Emotional Sound Effects and Metal Machine Music: Soundworlds in Silent Hill Games and Films....Pages 73-88
Front Matter....Pages 89-89
Towards 3-D Sound: Spatial Presence and the Space Vacuum....Pages 91-111
Inner and Outer Worlds in the Film Gravity: A Multidisciplinary Approach....Pages 113-121
Intertwining Music and Sound in Film....Pages 123-137
Interview 2: Reality and Representation—An Interview with Dario Marianelli....Pages 139-150
Front Matter....Pages 151-151
Sound Effects/Sound Affects: ‘Meaningful’ Noise in the Cinema....Pages 153-168
Listening to Violence: Point-of-Audition Sound, Aural Interpellation, and the Rupture of Hearing....Pages 169-182
Acoustic Disgust: Sound, Affect, and Cinematic Violence....Pages 183-193
Front Matter....Pages 195-195
The Sonic Realm in The Quatermass Experiment: Medium and Genre and Sound....Pages 197-212
Sound, Music and Memory in Jia Zhangke’s ‘Hometown Trilogy’....Pages 213-228
Vinyl Noise and Narrative in CD-Era Indiewood....Pages 229-244
Interview 3: Mixing Punk Rock, Classical, and New Sounds in Film Music—An Interview with Brian Reitzell....Pages 245-260
Front Matter....Pages 261-270
From Analogue to Digital: Synthesizers and Discourses of Film Sound in the 1980s....Pages 271-271
Unlearning Film School: The ‘lo-fi’ Soundtracks of Joe Swanberg....Pages 273-288
Front Matter....Pages 289-304
The Janus Project: Cristobal Tapia de Veer’s Utopia, Anempathetic Empathy and the Radicalization of Convention....Pages 271-271
Interview 4: Building Bridges: Sound Design as Collaboration, as Style and as Music in The Bridge—An Interview with Carl Edström....Pages 305-319
Front Matter....Pages 321-328
Redundancy and Information in Explanatory Voice-Ins and Voice-Offs....Pages 329-329
Interview 5: Under the Skin of Film Sound—An Interview with Johnnie Burn....Pages 331-346
Front Matter....Pages 347-359
Electroacoustic Composition and the British Documentary Tradition....Pages 361-375
Interview 6: Orchestration, Collaboration, and the Integrated Soundtrack—An Interview with Matt Dunkley....Pages 377-384
Musically Conceived Sound Design, Musicalization of Speech and the Breakdown of Film Soundtrack Hierarchy....Pages 385-385
Back Matter....Pages 387-402
....Pages 403-419