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دانلود کتاب The Palgrave Handbook of Shakespeare's Queens
دانلود کتاب کتاب راهنمای پالگریو ملکه های شکسپیر
مشخصات کتاب
The Palgrave Handbook of Shakespeare's Queens
ویرایش: [1st ed.]
نویسندگان: Kavita Mudan Finn. Valerie Schutte
سری: Queenship and Power
ISBN (شابک) : 9783319745176, 9783319745183
ناشر: Springer International Publishing;Palgrave Macmillan
سال نشر: 2018
تعداد صفحات: XIX, 530
[523]
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 5 Mb
قیمت کتاب (تومان) : 45,000
در صورت تبدیل فایل کتاب The Palgrave Handbook of Shakespeare's Queens به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب کتاب راهنمای پالگریو ملکه های شکسپیر نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
توضیحاتی در مورد کتاب کتاب راهنمای پالگریو ملکه های شکسپیر
از سی و هفت نمایشنامه شکسپیر، پانزده نمایشنامه شامل ملکه است. این مجموعه به این شخصیت ها به عنوان زنان قدرتمند مدرن اولیه و عوامل تغییر می دهد و دیدگاه های جدیدی از محققان ادبیات، تاریخ، تئاتر و هنرهای زیبا را گرد هم می آورد. مقالات شامل حرفه شکسپیر می شود و طیفی از ملکه های معروف و کمتر شناخته شده را شامل می شود، از مارگارت خشمگین آنژو در نمایشنامه هنری ششم تا هرمیون بی سر و صدا در داستان زمستان ; از تامورای انتقام‌جو در تیتوس آندرونیکوس تا لیدی مکبث. فصل‌های اولیه، خوانندگان را در نگرانی‌های انتقادی زیربنای هر بحثی درباره شکسپیر و ملکه قرار می‌دهد: شخصیت مبهم الیزابت اول، و موضوع پرمخاطب ارائه جنسیت. سپس تمرکز به تحلیل موضوعاتی مانند مادری، بینامتنی و زمینه های سیاسی معاصر می شود. خوانش دقیق نمایشنامه های فردی؛ و بررسی بلاغت و نمایشنامه. این کتابچه دارای بیست و پنج فصل با طیف گسترده ای از مضامین و روش شناسی است، این کتاب یک مرجع ارزشمند برای دانشجویان و دانش پژوهان، و افزودنی منحصر به فرد به زمینه های شکسپیر و مطالعات ملکه است.
توضیحاتی درمورد کتاب به خارجی
Of Shakespeare’s thirty-seven plays, fifteen include queens. This collection gives these characters their due as powerful early modern women and agents of change, bringing together new perspectives from scholars of literature, history, theater, and the fine arts. Essays span Shakespeare’s career and cover a range of famous and lesser-known queens, from the furious Margaret of Anjou in the Henry VI plays to the quietly powerful Hermione in The Winter’s Tale; from vengeful Tamora in Titus Andronicus to Lady Macbeth. Early chapters situate readers in the critical concerns underpinning any discussion of Shakespeare and queenship: the ambiguous figure of Elizabeth I, and the knotty issue of gender presentation. The focus then moves to analysis of issues such as motherhood, intertextuality, and contemporary political contexts; close readings of individual plays; and investigations of rhetoric and theatricality. Featuring twenty-five chapters with a rich variety of themes and methodologies, this handbook is an invaluable reference for students and scholars, and a unique addition to the fields of Shakespeare and queenship studies.
فهرست مطالب
Acknowledgments Contents Notes on Contributors List of Abbreviations Chapter 1: Introduction Bibliography Part I: General Studies Chapter 2: Stagecraft and Statecraft: Queenship and Theatricality on the Shakespearean Stage The Queen’s Two Bodies A Player’s Two Bodies “Wanton Queans” and Queens on Stage Bibliography Chapter 3: Shakespeare’s Queens and Collective Forces: Facing Aristocracy, Dealing with Crowds The Unexpected Power of Shakespeare’s First Queen From She-wolf of France to Nemesis Failed Queenship? The Politics of Love Dealing with Common People: A Touchstone for Shakespeare’s Queens? Bibliography Part II: Queenship and Sovereignty Chapter 4: “I Trust I May Not Trust Thee”: Queens and Royal Women’s Visions of the World in King John Bibliography Chapter 5: Cordelia, Foreign Queenship, and the Commonweal Bibliography Chapter 6: “Tremble at Patience”: Constant Queens and Female Solidarity in The Two Noble Kinsmen and The Winter’s Tale The Late Queens: Queens in Shakespeare’s Last Plays, and Nostalgia for Elizabeth I “Tremble at Patience”: The Winter’s Tale “Lend Us a Knee”: The Two Noble Kinsmen Bibliography Part III: Queenship and Motherhood Chapter 7: “To Beare the Name of a Quéene”: Eleanor, Duchess of Gloucester and Lady Macbeth: Queenship and Motherhood Holinshed’s Chronicles and Shakespeare Eleanor: From Holinshed’s Chronicles to 2 Henry VI Lady Macbeth: From Holinshed’s Chronicles to Macbeth Eleanor and Lady Macbeth: Queenship and Motherhood Conclusion Bibliography Chapter 8: Womb Rhetoric: The Martial Maternity of Volumnia, Tamora, and Elizabeth I Volumnia: The War-Making Womb Tamora: Transitioning from Womb to Rhetoric Elizabeth: Childless Mother of a Nation Martial Maternity in Its Own Words Bibliography Chapter 9: “Good queen, my lord, good queen”: Royal Mothers in Shakespeare’s Plays Bibliography Part IV: Queenship and Rhetoric Chapter 10: Margaret of Anjou and the Rhetoric of Sovereign Vengeance Revenge as a Rhetoric of Empowerment Gender and Revenge in the Sixteenth Century Margaret and (Anti-)Social Agency Bibliography Chapter 11: “I Can No Longer Hold Me Patient!”: Margaret, Anger, and Political Voice in Richard III Bibliography Chapter 12: Shakespeare’s Cleopatra as Meta-Theatrical Monarch Bibliography Part V: Absent/Missing Queens Chapter 13: “Nothing Hath Begot My Something Grief”: Invisible Queenship in Shakespeare’s Second Tetralogy “Flattering Glass”: Richard II and the Mirror of Queenship “A Woman’s Voice May Do Some Good”: Absent Queenship in the Henriad Conclusion Bibliography Chapter 14: The Queen’s Two Bodies in The Winter’s Tale Double Bodies: Dividing the Queen Redemption and Resurrection: The Queen’s New Body Natural Bibliography Chapter 15: The Political Aesthetics of Anne Boleyn’s Queenship in Henry VIII Henry’s Political Performance and Tudor-Stuart Mythologies Shifting Orders, Shifting Roles, Shifting Queens Containing the Subject Bibliography Chapter 16: The Fortification and Containment of Elizabeth I’s Rhetoric and Performance in Shakespeare and Fletcher’s Henry VIII Elizabeth’s Two Bodies Cranmer’s Allusion to the Queen’s Two Bodies Containing the Queen’s Rhetoric? The Cyclical Replacement and Containment of the Female Body Conclusion Bibliography Part VI: Staging Queens and Contemporary Politics Chapter 17: The Princess’ Political Mission in Love’s Labour’s Lost: The Embassy to Get Aquitaine and “All that Is” Navarre’s Bibliography Chapter 18: Katherine of Aragon, Protestant Purity, and the Anxieties of Cultural Mixing in Shakespeare and Fletcher’s Henry VIII Bibliography Chapter 19: “The Ambition in My Love”: The Theater of Courtly Conduct in All’s Well that Ends Well Emotional Management and Courtly Honor Status and Survival “The Ambition in My Love” Conclusions Bibliography Part VII: Queenship and Intertextuality Chapter 20: As Wise as She Is Beautiful: Reconciling Shakespeare’s Fairy Queen and Spenser’s Faerie Queene Titania and Gloriana as Elizabethan Representations or Literary Foils Titania and Gloriana as Rulers of Fairy Realms The Fairy Queens and Genre Conclusion Bibliography Chapter 21: The Princess of France: Difference and Dif(fé)rance in Love’s Labour’s Lost Gender Difference France and Navarre Différance Bibliography Chapter 22: “A Gap in Nature”: Rewriting Cleopatra Through Antony and Cleopatra’s Cosmology Works Cited Chapter 23: En un infierno los dos: Katherine of Aragon and Anne Boleyn in Shakespeare & Fletcher’s Henry VIII and Calderón’s La cisma de Inglaterra Historical Context and Source Material As Honor Plays Motherhood: Redemption and Damnation Wife and Queen: Authority, Vice, and Vindication Conclusion Bibliography Part VIII: Performing Queenship Chapter 24: Margaret of Anjou: Shakespeare’s Adapted Heroine Bibliography Chapter 25: The Bard, the Bride, and the Muse Bemused: Katherine of Valois on Film in Shakespeare’s Henry V Bibliography Films Novels Online Chapter 26: The “Squeaking Cleopatra Boy”: Performance of the Queen’s Two Bodies on the Early Modern Stage Two Bodies “Quick Comedians Extemporally Will Stage Us” “Of Excellent Dissembling” “I Have Nothing of Woman in Me” “Harping on What I Am, Not What He Knew I Was” “Let Women Die” Conclusions Works Cited Afterword Index
