The Palgrave Handbook of Screen Production

Front Matter ....Pages i-xxxiv
Front Matter ....Pages 1-2
 Creative Filmmaking Processes, Procedures and Practices: Embodied and Internalized Filmmaking Agency  (Susan Kerrigan, Phillip McIntyre)....Pages 3-17
 Commission, Position and Production: Intent and Intervention in Minority Language Programmes  (Diane Maclean)....Pages 19-31
 Having Something to Say and Saying It Well  (Stephen Sewell, Ben Crisp)....Pages 33-47
 Understanding the Underlying Principles of the Short Film  (Michael Sergi, Craig Batty)....Pages 49-60
 Two Screenplays, One Writer, National Voice  (Rose Ferrell)....Pages 61-74
 Off-screen: Reimagining Animation  (Rose Woodcock, Lienors Torre, Eiichi Tosaki)....Pages 75-86
 The Dr Egg Adventures: Incorporating User-Generated Content and User-Testing Strategies in Pre-production Conceptualisation and Development of a Multi-Platform Storyworld  (Catherine Fargher)....Pages 87-101
 Taking Place, Screening Place: Studying Locations in Television Drama Production  (Kim Toft Hansen, Anne Marit Waade)....Pages 103-116
 Wayfaring, Co-Presence and Mobility: Conceptualising and Re-Conceptualising with Smartphones  (Jess Kilby, Marsha Berry)....Pages 117-128
Front Matter ....Pages 129-130
 Writing Bodies: Developing and Scripting an Embodied Feature Film Screenplay  (Kath Dooley)....Pages 131-144
 Putting Theory into Practice: Structuring the Personal Essay Documentary, The Silences  (Margot Nash)....Pages 145-155
 Work-in-Progress: The Writing of Shortchanged  (Margaret McVeigh)....Pages 157-168
 Developing Baxter and Me: Maintaining Authorial Voice Despite Industry Pressures  (Gillian Leahy)....Pages 169-180
 Writers, Producers and Creative Entrepreneurship in Web Series Development  (Steinar Ellingsen, Stayci Taylor)....Pages 181-191
 Local Content Producers: Co-Creating Communal Stories and Community in the Big Stories, Small Towns Participatory Documentary Project  (Martin Potter)....Pages 193-206
Front Matter ....Pages 207-208
 Creative Practice: A Love Story  (Phoebe Hart)....Pages 209-220
 Creating and Designing the Contemporary Soundtrack: A Case Study  (Damian Candusso)....Pages 221-230
 The (Braided) Documentary Voice: Theorising the Complexities of Documentary Making  (Willemien Sanders, Kate Nash)....Pages 231-241
 Editing the Observed: Evaluation and Value Creation Processes in the Editing of a Feature Documentary Film  (Alastair Cole)....Pages 243-255
 The Beginning of a Beautiful Relationship: A Case Study of an Immersive Filmmaking Process  (Shreepali Patel, Rob Toulson, Luis Azuaje)....Pages 257-268
 “Make it in Post”: Digital Visual Effects and the Temporality of Creative Value in Post-Production  (Tara Lomax)....Pages 269-280
 Trapped: A Case Study of International Co-Production  (Rosamund Davies)....Pages 281-291
 Production Practices in the Filming of German Scripted Reality Shows  (Daniel Klug, Axel Schmidt)....Pages 293-304
 Embracing the TV Commercial: Charms and Challenges of Selling on Screen  (Ben Crockett, Chrissie Feagins)....Pages 305-319
Front Matter ....Pages 321-322
 Producing the Other in International Film Festivals: Festival Fund, Address and the Making of Authenticity in Gabriel Mascaro’s Neon Bull  (Humberto Saldanha)....Pages 323-334
 The Live Cinema Paradox: Continuity and Innovation in Live Film Broadcast, Exhibition and Production  (Sarah Atkinson, Helen Kennedy)....Pages 335-346
 Digital Disruption and Innovation in Distribution: Opportunities for Research-Based Filmmaking in the New Global Screen Ecology  (Sean Maher, Susan Kerrigan)....Pages 347-362
 Dispositifs at Play: Artist’s Moving Image in the Gallery  (Ella Barclay, Alex Munt)....Pages 363-374
 Mobile Reception: Materiality and Locality with Small Screens  (Bettina Frankham, Chris Caines)....Pages 375-388
 Appeasing the Trolls: Contextualising New Screen Practices with Smartphones  (Patrick Kelly, Marsha Berry)....Pages 389-399
Front Matter ....Pages 401-402
 There Is No ‘E’ in ‘Constraints’: Teaching Creativity in Higher Education Screen Production  (Andrew Taylor)....Pages 403-414
 “Is this Degree Practical or Theoretical?” Screen and Media Education, Studio-Based Teaching and Signature Pedagogies  (Brian Morris)....Pages 415-425
 Teaching Screen Arts in Australia: Challenges, Opportunities and Current Trends  (Kath Dooley)....Pages 427-441
 VR and Screen Education: An Approach to Assist Student Understanding of Narrative Emphasis, Spatiality and Structural Elements within Narrative VR  (Megan Heyward)....Pages 443-458
 Teaching Screenwriting Through Script Development: Looking Beyond the Screenplay  (Craig Batty, Stayci Taylor)....Pages 459-472
Back Matter ....Pages 473-482