The Narrow Pass of Our Nerves: Writing Coloniality and Postcolonial Theory

TABLE OF CONTENTS
ACKNOWLEDGEMENTS
PREFACE
PART I. WRITING COLONIALITY
CHAPTER 1. Guamán Poma: Coevalness and the Space of Purity
CHAPTER 2. Guamán Poma: Confession, Pastoral Power, and the Order of the Subject
CHAPTER 3. Dancing and the Sacred in the Andes: From the Taqui-Oncoy to Rasu-Ñiti
CHAPTER 4. Memory and “Writing” in the Andes: From Cuzco to Valladolid and Back Again
CHAPTER 5. Historiography on the Ground: the Toledo Circle and Guamán Poma
CHAPTER 6. Writing Subalternity: Guamán Poma and Garcilaso, Inca
CHAPTER 7. Garcilaso’s Cuzco: Space and the Place of Knowledge
CHAPTER 8. Pedagogies Baroque
CHAPTER 9. The Nation in Ruins: Archeology and the Rise of the Nation
	"visual methodology"
	"poética arqueológica de la evocación"
CHAPTER 10. The Ruins of the Present: Cuzco Evoked
Def. archaeo-space
PART II. DEBATING POST-COLONIAL THEORY
CHAPTER 1. Mimicry Revisited: Latin America, Postcolonial Theory, and the Location of Knowledge
CHAPTER 2. Literacy, Conquest and Interpretation: Breaking New Ground on the Records of the Past
CHAPTER 3. “Writing with his Thumb in the Air:” Coloniality, Past and Present
CHAPTER 4. The Recognition of Convergence: Subaltern Studies in Perspective
CHAPTER 5. Inter-rupting the Text of Latin American Literature: Problems of (Mis)Recognition
CHAPTER 6. Lima: A Blurred Centrality
CHAPTER 7. Posting Letters: Writing in the Andes and the Paradoxes of the Post-colonial Debate
BIBLIOGRAPHY
CREDITS