The Musical-Mathematical Mind: Patterns and Transformations

Front Matter ....Pages i-xxix
 Extended Counterpoint Symmetries and Continuous Counterpoint   (Octavio A. Agustín-Aquino)....Pages 1-7
 Gödel-Vector and Gödel-Address as Tools for Genealogical Determination of Genetically-Produced Musical Variants  (Carlos de Lemos Almada)....Pages 9-16
 A Survey of Applications of the Discrete Fourier Transform in Music Theory  (Emmanuel Amiot)....Pages 17-28
 Gestures on Locales and Localic Topoi  (Juan Sebastián Arias)....Pages 29-39
 On the Structural and the Abstract in My Compositional Work  (Clarence Barlow)....Pages 41-51
 A Proposal for a Music Writing for the Visually Impaired  (Teresa Campos-Arcaraz)....Pages 53-60
 Group Theory for Pitch Sequence Representation: From the Obvious to the Emergent Complexity  (Emilio Erándu Ceja-Cárdenas)....Pages 61-69
 Mazzola’s Escher Theorem  (Yemile Chávez-Martínez, Emilio Lluis-Puebla)....Pages 71-78
 The Mechanics of Tipping Points: A Case of Extreme Elasticity in Expressive Timing  (Elaine Chew)....Pages 79-88
 Lexicographic Orderings of Modes and Morphisms  (David Clampitt)....Pages 89-97
 Music of Quantum Circles  (Micho Đurđevich)....Pages 99-110
 Partitiogram, Mnet, Vnet and Tnet: Embedded Abstractions Inside Compositional Games  (Pauxy Gentil-Nunes)....Pages 111-118
 Algebraic Combinatorics on Modes  (Franck Jedrzejewski)....Pages 119-130
 Proportion, Perception, Speculation: Relationship Between Numbers and Music in the Construction of a Contemporary Pythagoreanism  (Juan Sebastián Lach Lau)....Pages 131-141
 Topos Echóchromas Hórou (The Place of the Tone of Space). On the Relationship Between Geometry, Sound and Auditory Cognition  (Jaime Alonso Lobato-Cardoso)....Pages 143-151
 Models and Algorithms for Music Generated by Physiological Processes  (Jaime Alonso Lobato-Cardoso, Pablo Padilla-Longoria)....Pages 153-159
 Music, Expectation, and Information Theory  (D. Gareth Loy)....Pages 161-169
 Gestural Dynamics in Modulation: (Towards) a Musical String Theory  (Guerino Mazzola)....Pages 171-188
 Manuel M. Ponce’s Piano Sonata No. 2 (1916): An Analysis Using Signature Transformations and Spelled Heptachords  (Mariana Montiel)....Pages 189-197
 Textural Contour: A Proposal for Textural Hierarchy Through the Ranking of Partitions lexset  (Daniel Moreira de Sousa)....Pages 199-206
 The Sense of Subdominant: A Fregean Perspective on Music-Theoretical Conceptualization  (Thomas Noll)....Pages 207-215
 How Learned Patterns Allow Artist-Level Improvisers to Focus on Planning and Interaction During Improvisation  (Martin Norgaard)....Pages 217-219
 Tuning Systems Nested Within the Arnold Tongues: Musicological and Structural Interpretations  (Gabriel Pareyon)....Pages 221-230
 Wooden Idiophones: Classification Through Phase Synchronization Analysis  (Gabriel Pareyon, Silvia Pina-Romero)....Pages 231-241
 A Fuzzy Rule Model for High Level Musical Features on Automated Composition Systems  (Iván Paz, Àngela Nebot, Francisco Mugica, Enrique Romero)....Pages 243-251
 The Musical Experience Between Measurement and Computation: From Symbolic Description to Morphodynamical Unfolding  (Mark Reybrouck)....Pages 253-261
 Generic Additive Synthesis. Hints from the Early Foundational Crisis in Mathematics for Experiments in Sound Ontology  (Julian Rohrhuber, Juan Sebastián Lach Lau)....Pages 263-276
 Dynamical Virtual Sounding Networks  (Edmar Soria, Roberto Cabezas, Roberto Morales-Manzanares)....Pages 277-290
 Melodic Pattern Segmentation of Polyphonic Music as a Set Partitioning Problem  (Tsubasa Tanaka, Koichi Fujii)....Pages 291-298
 Diagrams, Games and Time (Towards the Analysis of Open Form Scores)  (Samuel Vriezen)....Pages 299-308
 On Minimal Change Musical Morphologies  (Michael Winter)....Pages 309-327
 Restoring the Structural Status of Keys Through DFT Phase Space  (Jason Yust)....Pages 329-337
 Mazzola, Galois, Peirce, Riemann, and Merleau-Ponty: A Triadic, Spatial Framework for Gesture Theory  (Fernando Zalamea)....Pages 339-345