The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)

Cover
Half Title
Series Page
Title Page
Copyright Page
Table of Contents
List of Figures
List of Music Examples
List of Tables
Notes on Contributors
Introduction
Part I The Materiality of Song
	Chapter 1 The Codex Buranus, or The First Chansonnier
	Chapter 2 Parchment Poesis in Guillaume de Machaut’s “Prologue”1
	Chapter 3 Imaginary Chansonniers: Song, Desire, and Materiality in Vitsentzos Kornaros’s Erotokritos
Part II Songs, Books, Society
	Chapter 4 Verbal and Visual Paratexts: Strategies in Shaping Music Books in the Trecento Florentine Manuscript Tradition
	Chapter 5 Formes of Intimacy: Miniaturisation and Sociability in the Fifteenth-Century Chansonnier
	Chapter 6 The Materiality of Musical Knowledge in Sixteenth-Century Textbooks: Appropriation, Personalisation, and Self-Representation
	Chapter 7 The Modern Music Edition as Material Histor(iograph)y
Part III Picturing Sound, Hearing Images
	Chapter 8 Secular Sounds in Late Medieval Lives of Saints and Their Pictorial Representations
	Chapter 9 The Sounds of Poliphilo and Polia
	Chapter 10 The Domestic Life of the Syrinx
Part IV Musical Objects
	Chapter 11 Music, Heraldry, and Material Culture in the Late Middle Ages: Ars Nova Songs for Louis I of Anjou and Bertrand du Guesclin
	Chapter 12 Negotiating Identity and Status: Musicalia in the Relational Strategies of Duke Guidubaldo II della Rovere
	Chapter 13 Sacred Music Books Desacralised: Material Perspectives on Musical Fragments
Index