The Life, Death, and Afterlife of the Record Store: A Global History

Half Title\nTitle Page\nCopyright Page\nContents\nFigures\nIntroduction\nPrologue: The Record Store That Saved My Life\nPart I: Record Stores as Community\n	Chapter 1: “We ’Bout It ’Bout It”: The Independent Record Store in Post-Katrina New Orleans\n	Chapter 2: Firecorner: The Importance of the Reggae Record Shops in Black London and the Cultural Confluence of West Indian Music\n	Chapter 3: Journey of a Girl in a Plaid Skirt and Knee Socks\n	Chapter 4: The Cult of the Record Bar\n	Chapter 5: Magic in Here: Brisbane’s Alternative Record Stores from the 1970s to the Digital Age\n	Chapter 6: High Fidelity across Twenty-Five Years: Record Shops, Taste, and Streaming\n	Chapter 7: Reflections from the Girls behind the Counter\nPart II: Cultural Geography of Record Stores\n	Chapter 8: “Ways of Living”: Touristification, Gentrification, and Curatorship in Spanish and Portuguese Record Stores\n	Chapter 9: Living Popular Music in “High Fidelity”: Portugal’s Independent Record Stores, 1998–20201\n	Chapter 10: Music on the Turntables When the Tables Are Turning: A History of Record Stores in Romania from Late Socialism to the Present\n	Chapter 11: Jazzhole: How a Record Store Became the Lone Priest of Nigerian Oldies’ Pop Culture\n	Chapter 12: The Influence of Imported Records and Their Stores on the History of Popular Music in Japan\n	Chapter 13: Recording the Irish Experience: The Record Shop and Fair as Archive\n	Chapter 14: The Revolution Will Not Be Televised, It Will Be Taped: Western Music Acquisition in Pre- and Post-Revolution Iran\nPart III: Sites for Fandom and Performance of Subcultural Capital\n	Chapter 15: Making Indie Noises in the Corporate Outlet: How Hanging Around and Working in Small Record Shops in Aotearoa New Zealand Changed My Life\n	Chapter 16: Rip Off Records (Hamburg) and the Microhistory of Capitalism\n	Chapter 17: Soul Bowl: Rare Soul Uncovered\n	Chapter 18: Lucky Records: Music Makes the People Come Together\n	Chapter 19: Rough Trade Paris, 1992–9: The History of a Scene\n	Chapter 20: Musicians in the Record Store: Celebrity Encounters through Amoeba Music’s What’s In My Bag?\n	Chapter 21: “Contents Expected to Speak for Themselves”: A Preliminary Understanding of North American Self-Service Record Retail\n	Chapter 22: Lost in the Booth: British Record Store Listening Booths as Atmospheric Sites of Intimacy\nEditors and Contributors\nIndex