The Handbook of Speech Production

Content: Title Page
 Copyright Page
 Contents
 Notes on Contributors
 Acknowledgments
 Chapter 1 Introduction
 1.1 Speech production: what it is and why it matters
 1.2 Organization of the Handbook
 1.3 Conclusion
 References
 Part I The Speech Mechanism
 Chapter 2 Speech Breathing Across the Life Span and in Disease
 2.1 Introduction
 2.2 Kinematic overview of the breathing cycle
 2.3 Anatomical and physiological changes of the respiratory system across the life span
 2.4 Typical speech breathing across the life span
 2.5 Effects of parkinson\'s disease on the respiratory system 2.6 Effects of parkinson\'s disease on speech breathing2.7 Summary and future directions
 References
 Chapter 3 Mechanisms of Voice Production
 3.1 Introduction
 3.2 Laryngeal anatomy and physiology
 3.3 Kinematics of vocal fold vibration
 3.4 Acoustics of vocal sound production
 3.5 The vocal folds as a self-oscillating system
 3.6 Computational models of phonation
 3.7 Summary
 Note
 References
 Chapter 4 Supralaryngeal Articulators in the Oropharyngeal Region
 4.1 Introduction
 4.2 Oropharyngeal articulators
 4.3 Vocal tract and its resonances
 4.4 Summary
 References
 Further Reading Chapter 5 Jaw and Lips5.1 Introduction
 5.2 Anatomy and physiology
 5.3 Role of lips and jaw in oral motor functions
 5.4 Summary and conclusions
 Notes
 References
 Chapter 6 Velopharyngeal Function in Speech Production: Some Developmental and Structural Considerations
 6.1 Introduction
 6.2 Instrumental assessment of vp function
 6.3 Normal VP function
 6.4 Age-related changes in vp structure and function
 6.5 Impact of structural anomalies on VP function
 6.6 Conclusions and some future challenges
 Notes
 References
 Part II Coordination and Multimodal Speech Chapter 7 Interarticulatory Coordination: Speech Sounds7.1 Introduction
 7.2 Coordination of multiple articulators for single segments
 7.3 Coordination of multiple articulators for multiple segments
 7.4 Conclusion
 References
 Chapter 8 Rhythm and Speech
 8.1 Laying the foundations: the many senses of rhythm
 8.2 The isochrony debate
 8.3 The rhythm class hypothesis
 8.4 Rhythm and fluency
 8.5 Rhythm as an emergent phenomenon
 8.6 Models
 8.7 Open questions in the study of speech rhythm
 Note
 References
 Further Reading Chapter 9 Auditory-Visual Speech Processing: Something Doesn\'t Add Up9.1 Introduction
 9.2 What we think we know and think we understand
 9.3 What we know, but do not understand
 9.4 Recommendations for future studies
 9.5 Conclusion
 Notes
 References
 Chapter 10 Multimodal Speech Production
 10.1 The link between speech production and speech perception
 10.2 Speech production in sensory deprived conditions
 10.3 Conclusion
 Note
 References
 Part III Speech Motor Control
 Chapter 11 Motor Equivalence in Speech Production
 11.1 What is motor equivalence in speech production?