The Global Sixties in Sound and Vision: Media, Counterculture, Revolt

Front Matter....Pages i-viii
Introduction....Pages 1-13
A Red Noise: Pop and Politics in Post-1968 France....Pages 15-27
Mapping Tropicália....Pages 29-42
Magical Mystery Tours: Godard and Antonioni in America....Pages 43-64
Turning Inwards: The Politics of Privacy in the New American Cinema....Pages 65-82
Utopia and Dystopia in Science Fiction Films around 1968....Pages 83-100
“Musical & Magical Counterpoint”: Language, Sound, and Image in Wallace Berman’s Aleph, 1956–1966....Pages 101-118
Guitar Smashing: Gustav Metzger, the Idea of Auto-destructive Works of Art, and Its Influence on Rock Music....Pages 119-134
“The Revolution Is Over—and We Have Won!”: Alfred Hilsberg, West German Punk, and the Sixties....Pages 135-150
The Sun and Moon Have Come Together: The Fourth Way, the Counterculture, and Capitol Records....Pages 151-166
“A Weapon in Our Struggle for Liberation”: Black Arts, Black Power, and the 1969 Pan-African Cultural Festival....Pages 167-184
The Revolution Will Not Be Televised, But It Will Be Recorded: Soul, Funk, and the Black Urban Experience, 1968–1979....Pages 185-209
Jukebox Modernism: The Transatlantic Sight and Sound of Peter Blake’s Got a Girl (1960–1961)....Pages 211-226
Uninteresting Pictures: Art and Technocracy, 1968....Pages 227-244
1968 and the Future of Information....Pages 245-274
Back Matter....Pages 275-296