ورود به حساب

نام کاربری گذرواژه

گذرواژه را فراموش کردید؟ کلیک کنید

حساب کاربری ندارید؟ ساخت حساب

ساخت حساب کاربری

نام نام کاربری ایمیل شماره موبایل گذرواژه

برای ارتباط با ما می توانید از طریق شماره موبایل زیر از طریق تماس و پیامک با ما در ارتباط باشید


09117307688
09117179751

در صورت عدم پاسخ گویی از طریق پیامک با پشتیبان در ارتباط باشید

دسترسی نامحدود

برای کاربرانی که ثبت نام کرده اند

ضمانت بازگشت وجه

درصورت عدم همخوانی توضیحات با کتاب

پشتیبانی

از ساعت 7 صبح تا 10 شب

دانلود کتاب The Film Factory: Russian and Soviet Cinema in Documents 1896-1939

دانلود کتاب کارخانه فیلم: سینمای روسیه و شوروی در اسناد 1896-1939

The Film Factory: Russian and Soviet Cinema in Documents 1896-1939

مشخصات کتاب

The Film Factory: Russian and Soviet Cinema in Documents 1896-1939

ویرایش: [1 ed.] 
نویسندگان: , ,   
سری:  
ISBN (شابک) : 041505298X, 9780415052986 
ناشر: Routledge 
سال نشر: 1994 
تعداد صفحات: 484
[485] 
زبان: English 
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) 
حجم فایل: 17 Mb 

قیمت کتاب (تومان) : 31,000



ثبت امتیاز به این کتاب

میانگین امتیاز به این کتاب :
       تعداد امتیاز دهندگان : 2


در صورت تبدیل فایل کتاب The Film Factory: Russian and Soviet Cinema in Documents 1896-1939 به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.

توجه داشته باشید کتاب کارخانه فیلم: سینمای روسیه و شوروی در اسناد 1896-1939 نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.


توضیحاتی در مورد کتاب کارخانه فیلم: سینمای روسیه و شوروی در اسناد 1896-1939

اولین بار در سال 1994 منتشر شد. Routledge اثری از Taylor & Francis، یک شرکت اطلاعاتی است.


توضیحاتی درمورد کتاب به خارجی

First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.



فهرست مطالب

Cover
Title
Copyright Page
Contents
Illustrations
General Editor's Preface
Preface
Preface to the Paperback Edition
Introduction
Translator's Note
1896-1921: Introduction
	1896
		1 Maxim Gorky: The Lumière Cinematograph (Extracts)
	1911
		2 Leonid Andreyev: First Letter on Theatre (Extracts)
	1913
		3 Vladimir Mayakovsky: Theatre, Cinema, Futurism
		4 Vladimir Mayakovsky: The Destruction of 'Theatre' by Cinema as a Sign of the Resurrection of Theatrical Art
		5 Vladimir Mayakovsky: The Relationship Between Contemporary Theatre and Cinema and Art
		6 Leonid Andreyev: Second Letter on Theatre (Extract)
	1915
		7 Vsevolod Meyerhold: On Cinema
	1917
		8 Lev Kuleshov: The Tasks of the Artist in Cinema
	1918
		9 Lev Kuleshov: The Art of Cinema
	1919
		10 Anatoli Lunacharsky: The Tasks of the State Cinema in the RSFSR
	1920
		11 Vladimir Lenin: Art Belongs to the People. Conversation with Clara Zetkin
1922: Introduction
	12 Vladimir Lenin: Directive on Cinema Affairs
	13 Anatoli Lunacharsky: Conversation with Lenin. I. Of all the Arts . . .
	14 Anatoli Lunacharsky: Conversation with Lenin. II. Newsreel and Fiction Film
	15 Grigori Kozintsev, Leonid Trauberg, Sergei Yutkevich and Georgi Kryzhitsky: Eccentrism
	16 Alexei Voznesensky: Open Letter to Nemirovich-Danchenko and Stanislavsky
	17 Lev Kuleshov: 'Art' Cinema
	18 Lev Kuleshov: Cinema as the Fixing of Theatrical Action
	19 Alexei Gan: The Cinematograph and Cinema
	20 Lev Kuleshov: Art, Contemporary Life and Cinema
	21 Dziga Vertov: We. A Version of a Manifesto
	22 Lev Kuleshov: Americanism
	23 Lev Kuleshov: Chamber Cinema
	24 Vladimir Mayakovsky: Cinema and Cinema
	25 Alexei Gan: The 'Left Front' and Cinema
	26 Alexei Gan: The Thirteenth Experiment
1923: Introduction
	27 Alexei Gan: Two Paths
	28 Dziga Vertov: The Cine-Pravda
	29 Proletkino: Quasi-Theses
	30 Sergei Eisenstein: The Montage of Attractions
	31 Dziga Vertov: The Cine-Eyes. A Revolution
	32 Lev Trotsky: Vodka, the Church and the Cinema
	33 Russfilm Script Competition
	34 Viktor Shklovsky: Literature and Cinema (Extracts)
1924: Introduction
	35 Declaration of the Association of Revolutionary Cinematography
	36 Leonid Trauberg: The Red Clown to the Rescue!
	37 Alexei Gan: Recognition for the Cine-Eyes
	38 Lev Kuleshov: Mr West
	39 Anatoli Lunacharsky: Revolutionary Ideology and Cinema -Theses
	40 Resolution of Thirteenth Party Congress on Cinema
	41 Dziga Vertov: The Cine-Pravda: A Report to the Cine-Eyes
	42 Sovnarkom of the RSFSR: Decree on the Establishment of Sovkino
	43 Dziga Vertov: Fiction Film Drama and the Cine-Eye
	44 Vladimir Blyum: Against the 'Theatre of Fools' - For Cinema
1925: Introduction
	45 Anatoli Goldobin: Our Cinema and Its Audience
	46 Zhizn iskusstva Editorial: Theatre or Cinema?
	47 Abram Room: Cinema and Theatre
	48 Dziga Vertov: Cine-Pravda and Radio-Pravda
	49 Viktor Shklovsky: The Semantics of Cinema
	50 Grigori Boltyansky: Cinema and the Soviet Public
1926: Introduction
	51 Adrian Piotrovsky: The Battleship Potemkin
	52 Alexei Gvozdev: A New Triumph for Soviet Cinema (The Battleship Potemkin and the 'Theatrical October')
	53 Vladimir Kirshon: Literature, Theatre and Cinema (Extract)
	54 Bela Balazs: The Future of Film
	55 Sergei Eisenstein: Bela Forgets the Scissors
	56 Alexander Dubrovsky: The Soviet Cinema in Danger
	57 Dziga Vertov: The Factory of Facts
	58 Viktor Shklovsky: Where is Dziga Vertov Striding?
	59 Esfir Shub: The Manufacture of Facts
	60 Viktor Shklovsky: The Cine-Eyes and Intertitles
	61 Anatoli Lunacharsky: Cinema - the Greatest of the Arts
1927: Introduction
	62 Vladimir Mayakovsky: Help!
	63 Viktor Shklovsky: Sergei Eisenstein and 'Non-Played' Film
	64 Viktor Shklovsky: The Temperature of Cinema
	65 Viktor Pertsov: Literature and Cinema
	66 Viktor Shklovsky: The Film Factory (Extracts)
	67 Vladimir Mayakovsky: Speech in Debate on 'The Paths and Policy of Sovkino'
	68 Vladimir Mayakovsky: On Cinema
	69 Kirill Shutko: Preface to Poetics of Cinema
	70 Viktor Shklovsky: Poetry and Prose in Cinema
	71 Adrian Piotrovsky: The Cinefication of Theatre - Some GeneralPoints
	72 Viktor Shklovsky: Mistakes and Inventions
	73 Osip Brik: The Fixation of Fact (Extract)
	74 Esfir Shub: We Do Not Deny the Element of Mastery
	75 Adrian Piotrovsky: Let Us Be Maximalists!
	76 Adrian Piotrovsky: 'Ideology' and 'Commerce'
1928: Introduction
	77 Nikolai Yakovlev: The Nihilists from ARK
	78 Anatoli Lunacharsky: Speech to Film Workers
	79 Vsevolod Pudovkin: S. M. Eisenstein (From Potemkin to October)
	80 Dziga Vertov: The Eleventh Year
	81 Alexei Popov: The Relationships Between Cinema and Theatre
	82 To the Party Conference on Cinema From a Group of Film Directors
	83 Party Cinema Conference Resolution: The Results of Cinema Construction in the USSR and the Tasks of Soviet Cinema
	84 Anatoli Lunacharsky: Review of October
	85 Adrian Piotrovsky: October Must Be Re-Edited!
	86 Esfir Shub: This Work Cries Out
	87 Sergei Eisenstein and Grigori Alexandrov: We Are Waiting!
	88 T. Rokotov: Why Is October Difficult?
	89 Sergei Eisenstein: For Soviet Cinema
	90 The Lef Ring: Comrades! A Clash of Views!
	91 Zhizn iskusstva Editorial: October - The Results of the Discussion
	92 Sergei Eisenstein, Vsevolod Pudovkin and Grigori Alexandrov: Statement on Sound
	93 Vladimir Messman: Sound Film
	94 Viktor Shklovsky: The Soviet School of Acting
	95 Adrian Piotrovsky: Is There a Crisis in Soviet Cinema?
	96 Sovkino Workers' Conference Resolution: Sovkino's New Course (Extract)
	97 Sovetskii ekran Editorial: The Rightist Danger in Cinema
1929: Introduction
	98 Leonid Trauberg: An Experiment Intelligible to the Millions
	99 Viktor Shklovsky: Beware of Music
	100 Party Central Committee Decree: On the Strengthening of Cinema Cadres
	101 Sergei Eisenstein and Grigori Alexandrov: An Experiment Intelligible to the Millions
	102 Yuri Tynyanov: On FEKS
	103 Pavel Petrov-Bytov: We Have No Soviet Cinema
	104 Adrian Piotrovsky: Petrov-Bytov's Platform and Soviet Cinema
	105 Vsevolod Pudovkin: On the Principle of Sound in Film
	106 Adrian Piotrovsky: Westernism in Our Cinema
	107 Vsevolod Pudovkin, Leonid Obolensky, Sergei Komarov and Vladimir Fogel: Preface to Kuleshov's Book The Art of Cinema
	108 Esfir Shub: The Advent of Sound in Cinema
	109 Vsevolod Meyerhold: The Cinefication of Theatre
	110 RAPP Resolution on Cinema
	111 Vsevolod Pudovkin: Conversation on Sound Film
1930: Introduction
	112 'An ARK Member': ARRK Must Be Reorganised
	113 Ippolit Sokolov: The Legend of 'Left' Cinema
	114 Na literaturnom postu Editorial: For the Reconstruction of Soviet Cinema
	115 Nikolai Anoshchenko: Sound Cinema in the Service of the Cultural Revolution
	116 Viktor Shklovsky: The Script Laboratory
	117 Kino i zhizn Editorial: Film Work and the Mass Audience
	118 Dziga Vertov: The Radio-Eye's March
	119 Dziga Vertov: Speech to the First All-Union Conference on Sound Cinema
	120 Viktor Shklovsky: Sound as a Semantic Sign
	121 Ippolit Sokolov: The Second Sound Film Programme
	122 Kino i zhizn Editorial: Is There a Soviet Sound Cinema?
	123 Viktor Shklovsky: The Film Language of New Babylon
1931-4: Introduction
	1931
		124 Proletarskoe kino Editorial: What Does 'Proletarian Cinema' Mean?
	1932
		125 Proletarskoe kino Editorial: We Are Continuing the Struggle
		126 Vsevolod Pudovkin, Esfir Shub et al.: To All Creative Workers in Soviet Cinema
		127 Party Central Committee Decree: The Reorganisation of Literary and Artistic Organisations
	1933
		128 Anatoli Lunacharsky: Synopsis of a Report on the Tasks of Dramaturgy (Extract)
		129 Vsevolod Pudovkin: The Role of Sound Cinema
		130 Sergei Eisenstein: Cinema and the Classics
	1934
		131 First Congress of Soviet Writers (Extracts)
		132 Pravda Editorial: The Whole Country is Watching Chapayev
		133 Film-Makers' Letter to Stalin
		134 Grigori Kozintsev and Leonid Trauberg: The Youth of Maxim(Extracts)
		135 Vsevolod Pudovkin: The Youth of Maxim
		136 Dziga Vertov: More on Mayakovsky (Extract)
1935: Introduction
	137 Joseph Stalin: Congratulations to Soviet Cinema on Its Fifteenth Anniversary
	138 For a Great Cinema Art: Speeches to the All-Union Creative Conference of Workers in Soviet Cinema (Extracts)
	139 Dziga Vertov: My Illness
	140 Boris Shumyatsky: A Cinema for the Millions (Extracts)
	141 Boris Shumyatsky: The Role of the Producer
Postscript: 1936-41
	1936
		142 Boris Shumyatsky: Perfecting Our Mastery
		143 Dziga Vertov: Diary Entry
	1937
		144 Boris Shumyatsky: The Film Bezhin Meadow
		145 Yuli Raizman: Seminar at VGIK (Extracts)
		146 Vsevolod Pudovkin: The Director and the Scriptwriter (Extracts)
		147 Vsevolod Pudovkin: Dialogue in Film (Extract)
		148 Alexander Dovzhenko: The Artist's Teacher and Friend
	1938
		149 G. Ermolayev: What Is Holding Up the Development of Soviet Cinema?
		150 Iskusstvo kino Editorial: The Fascist Cur Eradicated
		151 Alexei Stakhanov: My Suggestion to Soviet Cinema
		152 Reactions to Stakhanov's Article (Extracts)
		153 Vsevolod Pudovkin: The Internal and the External in an Actor's Training
	1939
		154 Sergei Eisenstein: My Subject Is Patriotism
Abbreviations
Notes to Introduction
Notes to Documents
Table 1: Cinema Installations and Their Distribution in the Russian Empire and USSR, 1914--41
Table 2: Film Production, 1918-41
Appendice
	Appendix 1 Films: Russian and Soviet
	Appendix 2 Films: Foreign
	Appendix 3 People: Russian and Soviet
	Appendix 4 People: Foreign
Index




نظرات کاربران