دسترسی نامحدود
برای کاربرانی که ثبت نام کرده اند
برای ارتباط با ما می توانید از طریق شماره موبایل زیر از طریق تماس و پیامک با ما در ارتباط باشید
در صورت عدم پاسخ گویی از طریق پیامک با پشتیبان در ارتباط باشید
برای کاربرانی که ثبت نام کرده اند
درصورت عدم همخوانی توضیحات با کتاب
از ساعت 7 صبح تا 10 شب
ویرایش:
نویسندگان: Rachael-Anne Knight. Jane Setter
سری: Cambridge Handbooks in Language and Linguistics
ISBN (شابک) : 9781108644198, 9781108495738
ناشر: Cambridge University Press
سال نشر: 2021
تعداد صفحات: 720
[745]
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 13 Mb
در صورت تبدیل فایل کتاب The Cambridge Handbook of Phonetics به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب کتاب آواشناسی کمبریج نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
"راهنما به زیرشاخه های گسترده ای از آواشناسی تقسیم می شود که به طور گسترده زنجیره گفتار را منعکس می کند. دو بخش اول آواشناسی مفصلی را پوشش می دهد که به ترتیب بر تولید قطعه ای و عروضی تمرکز دارد. بخش بعدی به طور گسترده بر آواشناسی صوتی و اندازه گیری گفتار متمرکز است. چهارمین بخش آواشناسی بیانی را پوشش می دهد. استماع و ادراک را پوشش می دهد، در حالی که بخش پایانی کاربرد آوایی را در تعدادی از حوزه های دیگر که رشته هایی هستند، مانند زبان رشد و زبان شناسی بالینی، در نظر می گیرد. سازماندهی جلد، مانند بین بخشها و عروض، یا بین تولید و ادراک، بیرقیب یا بدون عارضه هستند، در عوض، هدف این است که خوانندگان را قادر سازد تا ساختار رشته را درک کنند و خواندن خود را در یک حوزه خاص متمرکز کنند. برای درگیر شدن بیشتر با این بحث های نظری گسترده تر. ما در پایان مقدمه به نکات مربوط به ماهیت و ساختار رشته باز می گردیم"--
"The Handbook is divided into broad subdisciplines of phonetics, broadly reflecting the speech chain. The first two sections cover articulatory phonetics, focusing on segmental and prosodic production respectively. The next section is broadly focused on acoustic phonetics and the measurement of speech. The fourth covers audition and perception, whilst the final section considers the application of phonetics to a number of other areas which are disciplines in their own right, such as developmental language, and clinical linguistics. The structure is not intended to suggest that the basic distinctions inherent in the volume's organization, such as between segments and prosody, or between production and perception are uncontested or without complication. Instead, the aim is to enable readers to both understand the structure of the discipline, and focus their reading in a particular area, in order to more fully engage with these wider theoretical discussions. We return to points concerning the nature and structure of the discipline towards the end of the introduction"--
Frontmatter Series information Contents Figures Tables Contributors Knight & Setter: Introduction Structure of the Handbook Chapter Overview Final Remarks References I Segmental Production Physiological Foundations (Wrench & Beck) 1.1 Introduction 1.2 Historical Overview 1.3 Critical Issues 1.3.1 Central Nervous System (CNS): Cortical 1.3.2 Central Nervous System: Brainstem 1.3.3 The Respiratory System 1.3.4 Larynx Anatomy 1.3.5 Musculature of the Hyoid and Floor of the Mouth 1.3.6 Musculature of the Pharynx 1.3.7 Musculature of the Velum 1.3.8 Skeletal Framework of the Oral Cavity 1.3.9 Musculature of the Tongue 1.3.9.1 Intrinsic Tongue Muscles 1.3.9.2 Extrinsic Tongue Muscles 1.3.10 Musculature of the Lower Jaw (Mandible) 1.3.11 Musculature of the Face and Lips Used in Speech 1.3.12 Vocal Tract Control 1.4 Recent Research 1.4.1 Neuromuscular Compartments 1.4.1.1 Tongue 1.4.1.2 Lower Jaw 1.4.1.3 Lips 1.4.2 Digital Biomechanical Modelling 1.5 Best Practice for Teaching and Learning 1.6 Future Directions 1.7 References Vowels (Weckwerth) 2.1 Introduction 2.2 Historical Overview 2.3 Critical Issues 2.3.1 Beyond Height–Advancement–Rounding 2.3.2 Transcription 2.3.3 Variability and Gradience 2.3.4 Diachronic Change 2.4 Recent Research 2.5 Best Practice for Teaching and Learning 2.6 Future Directions 2.7 References 2.7.1 Online Resources Consonants (Proctor) 3.1 Introduction 3.1.1 Defining the Class of Consonants 3.1.2 Phonetic Properties of Consonants 3.2 Historical Overview 3.3 Critical Issues in Consonantal Phonetics 3.3.1 Place of Articulation 3.3.2 Airstream 3.3.2.1 Glottalic Consonants Ejectives Implosives 3.3.2.2 Clicks 3.3.3 Constriction Degree 3.3.3.1 Stops 3.3.3.2 Fricatives 3.3.3.3 Approximants 3.3.4 Laryngeal Setting 3.3.5 Nasality 3.3.6 Lateralisation 3.3.7 Articulatory Stiffness and Damping 3.3.8 Length 3.3.9 Respiratory Strength 3.3.10 Complexity Arising from Articulatory Coordination 3.4 Current Research in Consonantal Phonetics 3.4.1 Goals of Production 3.4.2 Status of the Segment 3.4.3 Temporal Organisation of Consonants 3.5 Best Practice for Teaching and Learning 3.5.1 Key References 3.5.2 Practical Exercises 3.5.3 Physical Demonstrations 3.5.4 Phonological Databases 3.5.5 Enhanced IPA Charts 3.5.6 Multimedia Resources 3.6 Future Directions 3.6.1 New Methods in Instrumental Phonetics 3.6.2 Large-scale Phonetic Data 3.6.3 Typologically Incomplete Data 3.7 References Coarticulation (Iskarous & Mooshammer) 4.1 Introduction 4.2 Historical Overview 4.3 Critical Issues 4.3.1 Temporal Theories 4.3.2 Mechanical Theories 4.4 Current Topics 4.4.1 Task Dynamics and Articulatory Phonology 4.4.2 Articulatory Kinematic Models 4.4.3 Acoustic Kinematics Model 4.4.4 Exemplar Theories 4.5 Best Practice for Teaching and Learning 4.6 Future Directions 4.6 References Processes in Connected Speech (Warner) 5.1 Introduction 5.2 Historical Overview 5.3 Critical Issues 5.4 Recent Research 5.4.1 Phonetics of Word-Boundary-Triggered Phonological Processes 5.4.1.1 r-Insertion or r-Linking 5.4.1.2 French Liaison 5.4.1.3 Word-Final Devoicing 5.4.1.4 More General Acoustic Cues to Word Boundaries 5.4.1.5 Across-Word-Boundary Regressive Assimilation 5.4.2 Phonetic Phenomena of Connected Speech Not Specifically at Word Boundaries 5.4.2.1 Realisations of Consonants in Connected Speech 5.4.2.2 Realisation of Vowels in Connected Speech 5.4.2.3 Studies of Specific Segmental Reduction Processes 5.4.2.4 Syllable Deletions and Other ‘Massive’ Reductions 5.5 Best Practice for Teaching and Learning 5.6 Future Directions Acknowledgements 5.7 References II Prosodic Production Stress and Rhythm (Cantarutti & Szepek Reed) 6.1 Introduction 6.2 Historical Overview and Critical Issues 6.2.1 Stress 6.2.1.1 Phonetic Correlates of Stress 6.2.1.2 Domains for Stress and Accent 6.2.1.3 Degrees and Representations of Stress 6.2.2 Rhythm 6.2.2.1 Rhythm Classes and Isochrony 6.2.2.2 Rhythm and Perception 6.2.2.3 Rhythm as Alternation 6.3 Recent Research 6.3.1 Stress across Languages 6.3.2 Rhythm Classes and Metrics 6.3.3 Rhythm as an Interactional and Embodied Phenomenon 6.3.4 Rhythm as a Single- or Cross-Speaker Phenomenon 6.4 Best Practice for Teaching and Learning 6.5 Future Directions 6.6 References Lexical Tone (Lee & Mok) 7.1 Introduction 7.1.1 Some Definitions 7.1.1.1 Tone 7.1.1.2 Fundamental Frequency vs. Pitch 7.1.1.3 Contour and Register 7.1.1.4 Tone Sandhi 7.1.2 Notation of Tones 7.2 Historical Overview and Critical Issues 7.2.1 Acoustic Correlates of Tone 7.2.1.1 f0 Level 7.2.1.2 f0 Contour 7.2.1.3 Phonation Type 7.2.1.4 Duration 7.2.2 Contextual Tonal Variation 7.2.2.1 Phonetic Tonal Variation Carryover Anticipatory Microprosody Interaction between Tone and Intonation 7.2.2.2 Phonological Tonal Variation 7.3 Current Research 7.3.1 Acoustic Methodologies 7.3.1.1 Processing Data 7.3.1.2 Statistical Methods for f0 Analysis 7.3.2 Articulatory Methodologies 7.3.2.1 EGG 7.3.2.2 EMG 7.3.2.3 sEMG 7.3.2.4 Ultrasound 7.3.3 Recent Topics 7.3.3.1 Tone Merger 7.3.3.2 Tone–Melody Correspondence 7.3.3.3 Music Pitch vs. Tonal Pitch 7.4 Best Practice for Teaching and Learning 7.5 Future Directions 7.6 References Intonation (Warren & Calhoun) 8.1 Introduction 8.1.1 Key Concepts 8.2 Historical Overview 8.2.1 Intonational Form 8.2.2 Intonational Meaning 8.3 Critical Issues 8.3.1 Issues in the Phonetics of Intonation 8.3.2 Intonation and Other Linguistic Structures 8.3.3 Intonation and Language Variation and Change 8.4 Recent Research 8.5 Best Practice for Teaching and Learning 8.6 Future Directions 8.7 References Voice Quality (Esling & Moisik) 9.1 Introduction: Voice Quality as the Habitual Articulatory Background for Speech 9.2 Historical Overview 9.3 Critical Issues: The Role of the Larynx in Modelling Voice Quality 9.4 Recent Research: Experimental Findings in Voice Quality Analysis 9.5 Best Practice for Teaching and Learning: Voice Quality in Phonetics Instruction 9.6 Future Directions 9.7 References III Measuring Speech Measuring Vowels (Yang) 10.1 Introduction 10.2 Historical Overview 10.3 Critical Topics 10.3.1 Measuring Vowel Formants 10.3.2 Measuring Vowel Durations 10.3.3 Measuring Vowel Pitch 10.3.4 Measuring Vowel Intensity 10.3.5 Measuring Vowel Perception 10.3.6 Normalising Vowel Formants 10.4 Recent Research 10.5 Best Practice for Teaching and Learning 10.6 Future Directions 10.7 References Measuring Consonants (Figueroa & Kim) 11.1 Introduction 11.2 Historical Overview 11.3 Critical Topics 11.3.1 Fricatives 11.3.1.1 What to Measure 11.3.1.2 Where to Measure 11.3.1.3 How to Measure 11.3.2 Stops 11.3.2.1 Measuring Temporal Aspects of Stops 11.3.2.2 Measuring the Effects of Stops on Following Vowels 11.3.2.3 Measuring Spectral Characteristics of Release Bursts 11.3.2.4 Measuring Some Acoustic Properties of Non-Pulmonic Stops 11.3.3 Affricates 11.3.4 Nasals 11.3.5 Lateral and Central Approximants 11.3.6 Trills, Taps and Flaps 11.4 Current Research 11.5 Best Practice for Teaching and Learning 11.6 Future Directions 11.7 References Measuring Speech Rhythm (Arvaniti) 12.1 Introduction 12.2 Historical Overview 12.2.1 The Search for Isochrony 12.2.2 Rhythm Metrics 12.2.3 Perceptual Experiments on Rhythm Classes 12.2.4 Cycling 12.3 Critical Issues 12.3.1 Issues with the Rhythm Class Typology 12.3.2 Theoretical Issues with Rhythm Metrics 12.3.3 Issues with Practice when Using Metrics 12.3.4 Issues with Perception Paradigms 12.4 Recent Research 12.5 Best Practice for Teaching and Learning 12.6 Future Directions 12.7 References Fundamental Frequency and Pitch (Hirst & De Looze) 13.1 Introduction 13.2 Historical Overview 13.2.1 Pitch Detection and Analysis 13.2.2 Automatic Models of Pitch 13.2.3 Pitch Scales 13.3 Critical Issues 13.3.1 Direct Observation of Vocal Folds 13.3.2 Detection from the Acoustic Signal 13.3.3 Pitch Tracking Errors 13.3.4 Estimating Optimal Values for Pitch Floor and Ceiling 13.3.5 The Difference between Pitch and f0 13.4 Recent Research 13.4.1 Semitones and Octaves 13.4.2 The Octave-Median Scale 13.4.3 The Graphic Representation of Pitch Patterns 13.5 Best Practice for Teaching and Learning 13.6 Future Directions 13.7 References Observing and Measuring Speech Articulation (Lin) 14.1 Introduction 14.2 Historical Overview 14.3 Critical Issues 14.4 Recent Research 14.4.1 Techniques for Direct Vocal Tract Imaging 14.4.2 Techniques for Point Tracking 14.4.3 Indirect Measures 14.5 Best Practice for Teaching and Learning 14.5.1 Visual 14.5.2 Analytic 14.6 Future Directions 14.7 References Beyond Functional Speech Synthesis (Patel, Meltzner & Toman) 15.1 Introduction 15.2 Historical Overview 15.3 Critical Topics 15.3.1 Representing Linguistic and Acoustic Information 15.3.2 Concatenating the Building Blocks of Speech 15.3.3 Learning Statistical Patterns of Speech 15.4 Current Research 15.4.1 The Role of Big Data in Advanced Speech Synthesis 15.4.2 Crowdsourced Corpora Collection 15.4.3 Humanising Speech Synthesis 15.4.4 Challenges of Voice Building from Crowdsourced Corpora 15.4.5 Implementation of Pervasive and Mobile Speech Synthesis 15.5 Best Practices for Teaching and Learning 15.6 Future Directions 15.7 References IV Audition and Perception Neurological Foundations of Phonetic Sciences (Wong, Antoniou & Wong) 16.1 Introduction 16.2 Historical Overview 16.3 Critical Issues 16.4 Current Research 16.4.1 Conventional Functional Contrast – Subtraction Method 16.4.2 Multivariate Pattern Analysis of Functional Data 16.4.3 Structural Imaging – Voxel-Based Morphometry 16.4.4 Imaging Connectivity – Diffusion Tensor Imaging 16.4.5 Multimodality Theory-Driven Approach 16.4.6 Other Topics 16.4.6.1 Subcortical Processes 16.4.6.2 Bilingual Brain 16.4.6.3 Speech Learning 16.4.6.4 Ageing Brain 16.5 Best Practice for Teaching and Learning 16.6 Future Directions 16.7 References Psycholinguistic Aspects (Sumner & Kim) 17.1 Introduction 17.2 Historical Overview 17.3 Critical Issues 17.3.1 Patterns, Experience and Speech Integrity 17.3.2 Memory 17.4 Recent Research 17.4.1 Phonetically Cued Social Information Modulating Spoken Word Recognition 17.4.2 Richness of Memory of Spoken Words 17.5 Best Practice for Teaching and Learning 17.6 Future Directions 17.7 References Phonetics and Eye-Tracking (Reinisch & Mitterer) 18.1 Introduction 18.2 Historical Overview 18.3 Critical Issues 18.4 Recent Research 18.4.1 Segmental Processing: Cue Uptake, Context Effects and Reduced Speech 18.4.2 Suprasegmental Processing 18.4.3 Gaze in Interaction 18.5 Best Practice for Teaching and Learning 18.6 Future Directions 18.7 References Automatic Speech Recognition by Machines (Siniscalchi & Lee) 19.1 Introduction 19.2 Historical Overview 19.2.1 Shannon’s Channel Decoding Paradigm for Automatic Speech Recognition 19.2.1.1 Speech Features 19.2.1.2 Prior, Posterior and Joint Probabilities 19.2.2 Automatic Speech Recognition System Design 19.2.3 Hidden Markov Model 19.2.4 Top-down versus Bottom-up ASR System Design 19.3 Critical Issues 19.4 Current Research 19.4.1 Automatic Speech Attribute Transcription 19.4.2 End-to-End Automatic Speech Recognition 19.5 Best Practice for Teaching and Learning 19.6 Future Directions 19.7 References V Applications of Phonetics Pedagogical Approaches (Knight, Setter & Whitworth) 20.1 Introduction 20.2 Historical Overview 20.3 Critical Issues 20.3.1 Theory 20.3.1.1 Identifying Threshold Concepts 20.3.1.2 Using Analogy to Support Theoretical Concepts 20.3.1.3 Moving from Examples to Problem Solving to Support Theoretical Understanding 20.3.1.4 Using Visuals to Enhance Theoretical Understanding via Dual-Coding 20.3.1.5 Supporting Retention of Terminology through Quizzing 20.3.2 Anatomy 20.3.3 Ear-Training and Production 20.3.4 Transcribing Segments 20.3.4.1 The Processes of Transcription 20.3.4.2 Characteristics of the Listener 20.3.4.3 Characteristics of the Item to Be Transcribed 20.3.4.4 Characteristics of the Presentation 20.3.4.5 Self-Directed Activities to Enhance Transcription 20.3.4.6 Maintenance of Transcription Skills 20.3.5 Transcribing Prosodic Features 20.3.5.1 Stress and Rhythm 20.3.5.2 Intonation 20.3.6 Acoustics 20.4 Current Research 20.5 Best Practice for Teaching and Learning 20.6 Future Directions 20.7 References Pronunciation Teaching (Setter & Makino) 21.1 Introduction 21.2 Historical Overview 21.2.1 IPA and Phonetics Pedagogy 21.3 Critical Issues 21.3.1 Accents and Models 21.3.2 Deciding What to Teach: Phonetic Aspects 21.3.3 Teacher Education 21.4 Recent Research 21.4.1 The Speech Learning and Perceptual Assimilation Models 21.4.2 High Variability Phonetic Training 21.4.3 Classroom-Based Approaches 21.4.4 Audiovisual and Technological Methods 21.5 Best Practice for Teaching and Learning 21.5.1 Intonation: The British School 21.5.2 Discourse Intonation 21.6 Future Directions 21.7 References Sociophonetics (Drager & Kettig) 22.1 Introduction 22.2 Historical Overview 22.3 Critical Issues 22.3.1 Beyond Static Social Categories 22.3.2 Beyond Monolingual English Speakers 22.3.3 Beyond Impressionistic Analyses and Vowel Formants 22.3.4 Beyond Production 22.3.5 Beyond Description 22.4 Current Research 22.4.1 Methods to Examine Production 22.4.1.1 Corpus-based Variationist Sociolinguistics 22.4.1.2 Surveys 22.4.1.3 Ethnography 22.4.1.4 Techniques for Studying Speech Accommodation 22.4.2 Methods to Examine Perception 22.4.2.1 Identification Tasks 22.4.2.2 Lexical Decision Tasks 22.4.2.3 The Matched Guise Technique 22.4.3 Statistics for Sociophonetics 22.5 Best Practice for Teaching and Learning 22.6 Future Directions 22.6.1 Articulatory Measurement Techniques 22.6.2 Visual-World Paradigm 22.7 References Developmental Phonetics of Speech Production (Rose, McAllister & Inkelas) 23.1 Introduction 23.2 Historical Overview 23.3 Critical Issues 23.3.1 Developmental Morphology of the Vocal Tract 23.3.2 Motor-Control Factors 23.3.2.1 Between-Articulator Differentiation 23.3.2.2 Within-Articulator Differentiation 23.4 Current Research 23.4.1 Developmental Phonological Patterns 23.4.2 Examples of Phonetically Influenced Patterns in Child Phonology 23.4.2.1 Place Changes 23.4.2.2 Manner Changes 23.4.2.3 Voicing Changes 23.4.2.4 Assimilatory Changes 23.4.2.5 Deletions 23.4.3 Competence, Performance, or Somewhere in Between? 23.4.4 How Do Motor Influences Make Their Way into the Grammar? 23.4.4.1 Lexical Selection, Avoidance and Vocal Motor Schemes 23.4.4.2 Upward Propagation of Motor Influences in an Emergentist Model of Phonology 23.4.5 Phonetic Gradience in Child Phonology 23.4.5.1 Covert Contrast 23.4.5.2 Prevalence of Covert Contrast 23.4.5.3 Reinterpretation of Covert Contrast 23.5 Best Practice for Teaching and Learning 23.5.1 Data Preparation 23.5.2 Data Analysis 23.6 Future Directions 23.7 References Clinical Phonetics (Moreland) 24.1 Introduction 24.2 Historical Overview 24.3 Critical Issues 24.3.1 The Phonetics/Phonology Distinction in Discussing Disordered Speech 24.3.2 The Clinical Application of Different Levels of Transcription 24.3.3 Instrumental Clinical Speech Analysis 24.4 Recent Research 24.4.1 Childhood Speech Sound Disorders 24.4.2 Developmental Verbal Dyspraxia 24.4.3 Child Speech Disorders Secondary to Broader BiomedicalConditions 24.4.4 Acquired Motor Speech Disorders 24.4.5 Hearing Impairment 24.4.6 Disorders of Fluency 24.4.7 Voice Disorders 24.5 Best Practice for Teaching and Learning 24.6 Future Directions 24.7 References Appendix 24.1 The extIPA symbols Forensic Phonetics (Hudson, McDougall & Hughes) 25.1 Introduction 25.2 Historical Overview 25.3 Critical Topics 25.3.1 Content Identification 25.3.2 Earwitness Evidence 25.3.2.1 Factors Affecting Earwitness Evidence 25.3.2.2 Construction and Administration of Voice Parades 25.3.3 Speaker Profiling 25.3.4 Forensic Speaker Comparison (FSC) 25.3.4.1 Auditory Analysis 25.3.4.2 Acoustic Analysis 25.3.4.3 Some Practical Concerns 25.4 Recent Research 25.4.1 Automatic Speaker Recognition 25.4.2 Likelihood Ratios and the Presentation of Evidence 25.5 Best Practice for Teaching and Learning 25.6 Future Directions 25.7 References The Phonetics of Talk in Interaction (Ogden) 26.1 Introduction 26.1.1 Studying Conversation in Phonetics 26.2 Historical Overview 26.3 Critical Issues 26.3.1 The Primacy of Action 26.3.2 Evidence for Arguments 26.3.3 Turn-taking 26.3.4 Sequence Organisation 26.3.5 Displays of Affect 26.4 Recent Research 26.4.1 The Anatomy of Turns at Talk 26.4.2 Pre-Beginning Components 26.4.3 Turn-Initial Position 26.4.4 TRP and Turn Finality 26.4.5 More Complex Turn Designs 26.4.6 Properties of Whole TCUs 25.5 Best Practice for Teaching and Learning 26.6 Future Directions 26.7 References The Phonetics/Phonology Interface (Kennedy) 27.1 Introduction 27.1.1 The Domains of Phonetics and Phonology 27.1.2 Summary 27.2 Historical Overview 27.2.1 The Role of Sound in Phonological Analysis 27.2.2 Contrasts and Categories in Phonetic Analysis 27.3 Critical Issues 27.3.1 The Interface as an Object of Inquiry 27.4 Recent Research 27.4.1 Experimental Phonology: Phonetic Evidence for Phonological Constructs 27.4.1.1 Vowels 27.4.1.2 Consonants 27.4.1.3 Laryngeal Features 27.4.1.4 Syllable Structure 27.4.1.5 Tone and Prosody 27.4.2 Theoretical Implications 27.4.3 Linguistic Phonetics 27.5 Best Practice for Teaching and Learning 27.6 Future Directions 27.7 References Index