The Bloomsbury Handbook of Modernist Archives

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Halftitle page
Title page
Copyright page
CONTENTS
ILLUSTRATIONS
CONTRIBUTORS
ACKNOWLEDGEMENTS
Introduction: Re-Presenting and Re-Imagining Modernist Archives
	HISTORICIZING THE ‘ARCHIVAL TURN’: LITERARY STUDIES AND ITS DISCONTENTS
	NEW DIRECTIONS IN TEXTUAL EDITING
	NEW CONTEXTS, MATERIALS AND PARADIGMS: BEYOND AUTHORS’ PAPERS
	EXCLUSIONS AND INCLUSIONS: THE CHALLENGE OF ARCHIVAL WORK
	NOTES ON ORGANIZATION
	BIBLIOGRAPHY
PART I Authors
	CHAPTER ONE Materials from a ‘World Record’: W. B. Yeats and His Archives
		BIBLIOGRAPHY
	CHAPTER TWO ‘Will Future Editor Kindly Omit . . .’: Evelyn Waugh in Conversation with His Archives
		NETWORKS IN THE ARCHIVE
		PUBLISHING ARCHIVES: COMPLETE WORKS OF EVELYN WAUGH
		CONCLUSION
		APPENDIX: BRIEF GUIDE TO EVELYN WAUGH MANUSCRIPT COLLECTIONS
		BIBLIOGRAPHY
	CHAPTER THREE ‘True to Oneself! Which Self?’: Katherine Mansfield in Her Letters
		OVERVIEW
		RATIONALE
		EDITORIAL CHALLENGES AND DISCOVERIES
		ACKNOWLEDGEMENT
		BIBLIOGRAPHY
	CHAPTER FOUR Fragmentary, Elusive, Modernist: The Mina Loy Papers at the Beinecke Rare Book and Manuscript Library1
		ARCHIVAL ARRANGEMENTS, BIOGRAPHICAL PROBLEMS, COLLABORATIVE TEXTS
		WORDS AND IMAGES
		BIBLIOGRAPHY
	CHAPTER FIVE Archiving the Intellectual Life: May Sinclair’s Workbooks
		DRAFT LETTER TO SAMUEL ALEXANDER
		PRIMARY AND SECONDARY CONSCIOUSNESS
		NOTES ON SELLARS
		REVIEWS: DESERT HORIZON BY E. L. GRANT WATSON AND MARTIN SCH Ü LER BY ROMER WILSON
		CONCLUSION: BRITAIN’S MOST LOVELY WALKS
		BIBLIOGRAPHY
	CHAPTER SIX ‘Let Me Be Free of the Printers’: The Reception of Ezra Pound’s Generative Archive
		CASE 1: ERIUGENA
		CASE 2: CAVALCANTI
		CASE 3: CAROLINGIAN STUDIES
		CONCLUSION
		BIBLIOGRAPHY
	CHAPTER SEVEN Ransom-ing D. H. Lawrence: The Archive and New Trajectories in Lawrence Studies
		ENTERING THE ARCHIVE
		LAWRENCE’S ARCHIVE THROUGH TIME: FOUNDING THE RANSOM COLLECTION
		LAWRENCE’S ARCHIVE TODAY
		LAWRENCE’S ARCHIVE IN CONTEXT: PROCESS OR PRODUCT
		BIBLIOGRAPHY
	CHAPTER EIGHT Archive as Personal ‘Disastar’: The Malcolm Lowry Collection at the University of British Columbia and Beyond
		A SHORT LIST OF LOWRY STUDIES BASED ON ARCHIVAL HOLDINGS
		BIBLIOGRAPHY
	CHAPTER NINE Hart Crane’s The Bridge: Publishing a Fragmentary Whole
		BIBLIOGRAPHY
	CHAPTER TEN Samuel Beckett’s Manuscripts: A Literary Archive in the Digital Age
		SAMUEL BECKETT’S ARCHIVE: STATE OF THE ART
		A MODEL FOR SCHOLARLY EDITING IN A DIGITAL PARADIGM
		THE BECKETT DIGITAL MANUSCRIPT PROJECT IN PRACTICE
		FUTURE PLANS
		BIBLIOGRAPHY
	CHAPTER ELEVEN Curation, Collaboration and Creativity in the Archives of Virginia Woolf
		BIOGRAPHICAL AND TEXTUAL STUDIES
		BOOK HISTORY
		THE ARTS, PHOTOGRAPHY AND MATERIAL CULTURES
		ARCHIVING WOOLF SCHOLARSHIP
		BIBLIOGRAPHY
	CHAPTER TWELVE Beyond Archive Fever: The Complexities of Editing Dorothy Richardson’s Oeuvre for the Twenty-First Century
		EDITING MODERNIST FICTION: RESISTING THE MOMENT OF ORIGIN
		EDITING MODERNIST LETTERS: CHASING THE MOMENT OF ORIGIN
		BIBLIOGRAPHY
	CHAPTER THIRTEEN The Archival In-Life of James Joyce
		BIBLIOGRAPHY
	CHAPTER FOURTEEN ‘From the Oracular Archives’: The Dylan Thomas Poetry Archive
		THE POETRY ARCHIVE: ‘MY EXERCISE-BOOKS FULL OF POEMS’
		N1 TO N4: ‘THE WINDY SALVAGE’
		THE FIFTH NOTEBOOK: ‘SUFFER, MY TOPSY TURVIES’
		ARCHIVING THE FUTURE: ‘THE INTRICATE SEAWHIRL’
		BIBLIOGRAPHY
	CHAPTER FIFTEEN The Text and ‘The Presence’: Gertrude Stein’s Archives
		BIBLIOGRAPHY
	CHAPTER SIXTEEN Additions and Editions: H.D. and the Archive
		ARCHIVAL H.D.: A CRITICAL HISTORY
		SELF-CURATION AND THE CRITICAL EDITION: THE MORAVIAN WORKS
		TOWARDS ANNOTATION
		NEW VERSIONS OF H.D.
		BIBLIOGRAPHY
Part II Themes
	CHAPTER SEVENTEEN Archives of the Air: The BBC Written Archives Centre and Radio Voices of the Global Anglophone
		A CASE STUDY: WOLE SOYINKA’S WEST AFRICAN VOICES
		AN ARCHIVE FOR THE GLOBAL ANGLOPHONE
		BIBLIOGRAPHY
	CHAPTER EIGHTEEN Private Presses and Commercial Concerns: The Modernist Publisher’s Archive
		COMMERCIAL PUBLISHERS’ ARCHIVES
		SMALL PRESS ARCHIVES
		BIBLIOGRAPHY
	CHAPTER NINETEEN Fashion: Expanded Histories, New Epistemologies
		MODERNISM’S ANTINOMIES
		FASHION IN THE MAGAZINES
		FASHIONING SELVES
		MATERIALS AND NEW MATERIALISM
		READING THE ARCHIVE THROUGH FASHION
		BIBLIOGRAPHY
	CHAPTER TWENTY Displacements and Juxtapositions
		AN OUTRAGEOUSLY MODERN COLLECTION?
		AN UNHAPPY MARRIAGE?
		BIBLIOGRAPHY
	CHAPTER TWENTY-ONE Broadcasting the Stories of Katherine Mansfi eld: The BBC Written Archives Centre
		BROADCASTING KATHERINE MANSFIELD: 1926–45
		THE THIRD PROGRAMME AND SHORT STORIES: 1946–66
		AUDIENCES, ACTORS AND AFFICIONADOS: 1970–2020
		CONCLUSION: MANSFIELD AS MODERNIST
		BIBLIOGRAPHY
	CHAPTER TWENTY-TWO Modernist Autobiography, Audience and the Archives
		TARGETING PUBLISHERS, FINDING READERS
		‘THE SAME CAREFUL REGARD FOR THE PUBLIC’
		A TALE OF TWO AUTOBIOGRAPHIES
		ACKNOWLEDGEMENTS
		BIBLIOGRAPHY
	CHAPTER TWENTY-THREE Media Archives and Postcolonial/Decolonial Voice
		CLOSE LISTENING
		RADIO AS ARCHIVE
		THE BBC’S NARRATIVE OF ‘MODERN AFRICAN WRITING’
		THE TRANSCRIPTION CENTRE AND A MODERNISM OF THE AFRICAN DIASPORA
		SYNAESTHETIC LISTENING/READING
		ACKNOWLEDGEMENTS
		BIBLIOGRAPHY
	CHAPTER TWENTY-FOUR Coterie Literature and the Affinities of the Archive
		ARCHIVAL AFFINITIES
		ARCHIVAL ANTAGONISMS
		ARCHIVAL ATTACHMENTS
		BIBLIOGRAPHY
	CHAPTER TWENTY-FIVE The Modernist Archive Gap: Black Writers and Canonicity in the Digital Era
		THE MODERNIST ARCHIVE GAP AND AFRICAN AMERICAN LITERATURE
		RECTIFYING THE ARCHIVE GAP: EXAMPLES OF EXISTING DIGITAL PROJECTS
		BIBLIOGRAPHY
	CHAPTER TWENTY-SIX Translation in the Global Modernist Archive
		COMPOSITION: TRANSLATION AS A CREATIVE PRACTICE
		CIRCULATION: THE UNFAITHFUL MOVEMENT OF MODERNIST TRANSLATION
		CANON-MAKING: THE COLLECTIVE FASHIONING OF GLOBAL MODERNISM
		BIBLIOGRAPHY
INDEX