The Aulos in Classical and Late Antiquity: Acculturation, Diffusion, and Syncretism in Socio-Musical Processes of the Mediterranean

Figures
Tables
Acknowledgments
Abbreviations
Chapter I: Introduction
	1.1 The Aims of this Research
	1.2 Studies in Music Archaeology
	1.3 Acculturation, Diffusion, and Syncretism
	1.4 Methodology
	1.5 Organisation of Book
	1.6 The Research Question(s)
	1.7 The Recovery of Music in Antiquity and the Auletic Tradition
		Archaeological Sources
		Iconographical Sources
		Written Sources
Chapter II: The Precursors of The Aulos: Art And Tradition from Prehistory to the Second Millennium BC
	2.1 In the Beginning, There Was Whistling
	2.2 Piping and Whistling within the First Farming Communities
	2.3 The Eastern Legacy
	2.4 Western Pipes in the East
	2.5 Bone pipes from Prehistoric Greece
	2.6 Anatolia: the Land that Gives and Receives
	2.7 What If They Used Metal?
	2.8 The Aulos in the Cycladic and Hittite Tradition: the Art of Playing Two Pipes Simultaneously
	2.9 Wind Instruments in Ancient Egypt
	Conclusion
Chapter III: The Aulos of Classical Antiquity (c.1000 BC-AD 395)
	3.1 Classical Antiquity
	3.2 Homer, the Light Bearer in Dark Times
	3.3 The Contexts in which the Aulos was Played
		Festivals
		Processions
		Sacrifices
		The Meal
		The Contest
		The Games
		The Symposion
		Weddings
		War
	3.4 Coalescing Situations and Processes
	Conclusion
Chapter IV: The Aulos of Late Antiquity (c.AD 395-600)
	4.1 Etruscan Double-Pipes
	4.2 The Roman Tibia
	4.3 The Tibia in the Theatre
	4.4 The Tibia in Roman Life
	4.5 System of Classification
	4.6 Description of Excavated Auloi and Tibiae
		The Auloi of Pydna
		The Elgin Aulos
		The Pompeii Auloi or Tibiae
	4.7 Possible Transformation of the Aulos in Late Antiquity
	Conclusion
Chapter V: The Musical Past and Present in Fieldwork
	5.1 Introduction
	5.2 Methodology
	5.3 Understanding the Past through the Present: Exploring Similarities between the Sardinian Launeddas and the Ancient Greek Aulos
	5.4 Fieldwork in Egypt: The Arghul as a Case Study for a Better Understanding of the Ancient Aulos
Conclusion
Bibliography
	Primary Sources
	Secondary Sources
Appendices
	Appendix A: Written Consent for the Reproduction of Photos and Media
	Appendix B: Description of Retrieved Auloi and Aulos Fragments
		The Brauron Aulos
		The Elgin Aulos
		The Auloi of Pydna
		The Auloi or Tibiae from Meroë
		The Tibiae from Mook
		The Pompeii Auloi or Tibiae
		The Maenad Pipes
		Tibiae fragments from Damascus
		The Reading Aulos
		Fragments of Auloi from the Athenian Agora