The Art of Translation in Light of Bakhtin’s Re-accentuation

Cover\nHalf Title\nSeries\nTitle\nCopyright\nContents\nFigures\nContributors\nIntroduction\n1 Dubliners Retranslated: Re-accentuating Multivoicedness\n2 Bakhtin’s Dialogism and Language Interpretation\n3 Heteroglossia, Liminality, and Literary Translation\n4 What Is an “Original”?: Creation, Translation, “Re-accentuation,” and the Question of Primacy\n5 A Study of Three Scarletts: The Homeopathic Effect of Role Language\n6 The Master-Stylizer and the Creative Act: Mikhail Bakhtin on Translation\n7 Eduardo Mendoza, Lost and Found in Translation\n8 Dialogue Disrupted\n9 Accentuation and Re-accentuation in Language, Literature, and Translation\n10 Sifting through Dialogic Ashes: Translating Complex Meanings in Muñoz Molina’s Beatus Ille\n11 The Many Faces of Alice in Carnival: From Intersemiotic to Intervisual Translation\n12 Juvenile Quixotes in Eighteenth-Century England\nAfterword: Translating (with) Bakhtin\nIndex