The Aesthetics and Ethics of Copying

Cover\nHalf-title\nTitle\nCopyright\nContents\nList of Figures\nList of Tables\nNotes on Contributors\nPreface\nAcknowledgments\nPart 1: The Copying Animal: Exploring the Cultural Value of Copying\n	1. Copying and the Limits of Substitutability\n	2. Deep Copy Culture\n	3. Imitation and Replication of Technologies: The Prospects for an Evolutionary Ethics of Copying\nPart 2: What Is a Copy? Conceptual Perspectives\n	4. What Is the Object in Which Copyright Can Subsist? An Ontological Analysis\n	5. What Is an Artifact Copy? A Quadrinomial Definition\n	6. Are Counterfeits Copies?\n	7. The Nature of Copying and the Singular Literary Work\nPart 3: The Copying Artist: Aesthetic and Ethical Challenges\n	8. Illegitimate Legitimate Copies: A Grey Area in Dealing with Literary Works\n	9. Appropriating Fictional Characters\n	10. Plagiarizing Nonfiction: Legal Cases, Aesthetic Questions, and the Rules of Copying\n	11. Appropriation and Derogation: When Is it Wrong to Appropriate?\n	12. The Paradox of Style as a Concept of Art\n	13. Blurred Lines: A Case Study on the Ethics and Aesthetics of Copying\nPart 4: Freedom for All? Towards an Ethics of Copying for the Digital Age\n	14. The Ethics of Copyright and droit d’auteur—An Outline\n	15. Self-Copying and Copyright\n	16. Ethical Approaches for Copying Digital Artifacts: What Would the Exemplary Person [junzi]/a Good Person [phronimos] Say?\n	17. Ethics, Evolved: An International Perspective on Copying in the Networked Age\n	18. Online Piracy and the Transformation of the Audiences’ Practices: The Case of the Czech Republic\n	19. Normative Resources and Domain-Specific Principles: Heading for an Ethics of Copying\nCoda\n	20. In Defense of Disco Edits\nIndex of Names\nIndex of Subjects