Surveillance in Asian Cinema: Under Eastern Eyes

Cover
Half Titel
Title Page
Copyright Page
Contents
List of Figures
Acknowledgments
Introduction: Asian Cinema and the Surveillance Archipelago
PART I: Cold War
	1 The Might of the People: Counter-Espionage Films and Participatory Surveillance in the Early PRC
	2 Closely Watched Films: Surveillance and Postwar Hong Kong Leftist Cinema
	3 The Dis/appearance of Animals in Animated Film during the Chinese Cultural Revolution, 1966–1976
PART II: Market Reform
	4 Under Western Eyes? Colonial Bureaucracy, Surveillance, and the Birth of the Hong Kong Crime Film
	5 Taiwan’s Cold War Geopolitics in Edward Yang’s The Terrorizers
	6 Sovereignty, Surveillance and Spectacle in The Saigon Fabulous Four
	7 Sonic Secrets as Counter-Surveillance in Wong Kar-wai’s In the Mood for Love
PART III: Global Capital
	8 Dividuated Korean Cinema: Recent Body Switch Films in the Overwired Age
	9 Implication through Dissociation: Cinematic Enactment Tactics of State Surveillance in Cold Eyes
	10 Wasted! Power versus Civilization in a Martial Arts Action Movie, Viewed with Indonesian/Western Eyes
	11 Discreet Camera-Eye, Spectacle, and Stranger Sociality: On the Shift to Prosumer Digital Surveillance in China
List of Contributors
Index