Subversion and Conformity of Literary Collage

Cover
Half Title
Series Page
Title Page
Copyright Page
Dedication
Table of Contents
List of Figures
List of Contributors
Preface
Acknowledgments
Introduction
	Notes
Chapter 1: The Long History of Collage: From Early Modern Commonplace Books to Twenty-First-Century Experimental Writing
	Introduction
	Collage Before Modernism
	Commonplacing
	Against the Cut: Postmodern Copying as Commonplacing
	Notes
	Bibliography
Chapter 2: ‘Little Forms’ of the Avant-Garde: Walter Benjamin’s Einbahnstraße ( One-Way Street, 1928)
	Notes
	Bibliography
Chapter 3: Weaponizing the Cut: William S. Burroughs’s Transmedial Experiments
	Transmedial Collage?
	Cut-ups as Transmedial Resistance
	Sound, Tape, and Noise
	Viral Both/And Transmediality
	Notes
	Bibliography
Chapter 4: “Un’appendice sensibile del cervello”: Stelio Maria Martini’s Collage between Neurosis and Sensitivity
	Collage as a Scheme of Sensitivity
	Pre-collage: Schemi and Neurosentimental as Intrusions
	“L’impassibile naufrago”: Two Examples
	Conclusions: Collage as Apperception
	Notes
	Bibliography
Chapter 5: Collage and Late Style
	The Concept of Late Style
	The Poetics of Collage Versus Late Style
		The Notecard Quartet
	Notes
	Bibliography
Chapter 6: “A heuristic of thought itself”: Montage, writing, method
	Notes
	Bibliography
Chapter 7: Collage with Words and Images or the Empiricist Turn in the Arts
	The Problem: Empirical Data
	The Solution: Logical Empiricism/Positivism of the Vienna School
	Notes
	Bibliography
Index