Studies in Medievalism XXXIII: (En)gendering Medievalism (Studies in Medievalism, 33)

Front cover
Acknowledgments
Contents
List of Illustrations
Preface
I (En)gendering Medievalism
	The Peacock Television Network’s Mrs. Davis, Sister Simone, and Messing Up the Quest for the Holy Grail
	Bitches Be Crazy: Patriarchal Weaponization of Mental Distress in Game of Thrones
	Capital One’s Condemnation, Conversion, and Eventual Celebration of Mythical Medieval Northern European Males through Allegorical Commercials
	The Northman and the Link between Past and Present Masculinities
II Other Responses to Medievalism
	Maternal Games in The Green Knight: Launching Gawain
	Seaxy Beast: Grendel’s Mother and Responses to Third-Wave Feminism in Beowulf Adaptations
	Artoria Pendragon: Anachronism, Gender, and Self-Acceptance in the Fate Anime Series of Kinoko Nasu and Takashi Takeuchi
	Exalted by Honour: Women’s Medievalist History Plays  in the Late Eighteenth Century
	A Violent Medium for a Violent Era: Brutal Medievalist Combat in Dragon Age: Origins and Kingdom Come: Deliverance
	The “Old Frisian” Tescklaow as Invented Tradition: Forging Friesland’s Rural Past in the Early Nineteenth Century
	Neither Brutes, Nor Sissies: Re-imagining the Vikings on a Swedish Online Forum
	Avatar Creation and White Masculinity in Wolfram von Eschenbach’s Parzival and Ernest Cline’s Ready Player One
	Intersectionality in Maria Dahvana Headley’s The Mere Wife
	The Smith, the Devil, and Jim Crow: Medieval Hagiography, Victorian Popular Culture, and the Legacy of Slavery in Edward G. Flight\'s The Horse Shoe: The True Legend of St. Dunstan and the Devil
Contributors
Previously Published Volumes