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دانلود کتاب Staging and Re-​cycling: Retrieving, Reflecting and Re-​framing the Archive

دانلود کتاب 

Staging and Re-​cycling: Retrieving, Reflecting and Re-​framing the Archive

مشخصات کتاب

Staging and Re-​cycling: Retrieving, Reflecting and Re-​framing the Archive

ویرایش:  
نویسندگان:   
سری: Routledge Advances in Theatre and Performance Studies 
ISBN (شابک) : 9780367859398, 9781003015895 
ناشر: Routledge 
سال نشر: 2020 
تعداد صفحات: [265] 
زبان: English 
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) 
حجم فایل: 22 Mb 

قیمت کتاب (تومان) : 30,000



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فهرست مطالب

Cover
Half Title
Series Information
Title Page
Copyright Page
Table of contents
Figures
Contributors
Acknowledgements and permissions
Chapter 1 Editorial introduction
	A question of aims
	A question of styles
	A question of themes and perspectives
	A question of structure
	A question of innovation (perhaps)
	References
Chapter 2 Play Beckett: Beckett’s performance dramaturgy as total theatre
	The misguided paths of R(r)omanticism
	The false premise
	The total or whole object
	So not ‘total theatre’ but total theatres
	Beckett’s total theatre
	The image sequence
	References
	Notes
	References
Chapter 3 The PG and FPG: Stage action or stage metaphysics?
	A humanistic spirituality
	Afterwords
	References
Chapter 4 Essay 1: Archival foundations and first reflections
	Stumbling towards the ‘new’
	The presence of self and others
	A broader and deeper archive
	References
Chapter 5 A letter on recycling Sam
	References
Chapter 6 Dramaturgical dissolution in the ambient
	When visual dramaturgy disintegrates hierarchy
	Gravitation and free flow of energies: Recto Verso
	Clubbing, experiencing culture and voyeurism
	‘Stimmen des Norden’ – an ambient theatre
	References
Chapter 7 The resurrected theatre machine: A postdramatic paradox
	Marginal theatre towards the resurrection of the theatre machine
	Artistic theatre vs. theatre machine: physical attraction and staging
	‘Physical’ attraction and re-theatricalisation
	The experiential theatre and marginal positions
	From re-presentation to the presentation and performance art
	In the ruins of the theatre machine: the ‘soft’ staging
	A neo-narrative staging and the recycled theatre machine
	References
Chapter 8 Essay 1: Theatre studies, self-reflection and creativity: Understanding theory through metaphors
	References
Chapter 9 Berkoff’s ‘Londons’: Staging psycho-geographies of the feared and the ecstatic
	Introduction
	The literary; compare and contrast
	The bodies of ‘Londons’ not London
	Word and body and spectator
	Of fear and ecstasy
	The dangerous seductions of theatre
	Towards conclusions (of a kind)
	Afterwords
	References
Chapter 10 Recycling sources and experiencing physical theatre in educating professionals
	Our beginning
	Re-cycling is genetic and material
	A virtuous re-cycling, perhaps
	My play is A Midsummer Night’s Dream
	Afterwords
	References
Chapter 11 Essay 2: Circling around: Looking(s) and empathies
	What may challenge
	The barn in the courtyard
	Playing the surface
	Of puppets and toys
	From Dirty Work 1 to Dirty Work 2
	Anna Fierling’s billboards
	Body, others and empathy
	References
Chapter 12 Retaining and reframing: Notes on processes of remembering in Rosemary Butcher’s choreography-making
	re-
	remain
	Notes
	References
Chapter 13 On telling the world and ‘recycling’ in the new theatre
Chapter 14 Essay 2: Researching, re-making, re-cycling
	Synchronic vs. diachronic aspects of theatre history
		From the Renaissance and the Baroque to a visual form of theatre
	Conditions for recycling
		The director and the choreographer in postmodernism
		Acting figure, visual picture effect and tableau effect
		Postmodernism versus illusion
	References
Chapter 15 Recycling, situationism and postspectacular theatre
	Recycling …
	… situationism …
	… and postspectacular theatre
	References
Chapter 16 Play(ing) it again: Recycling as theatres, histories, memories
	A prologue
	An introduction
	The knowing spectator (of theatres and histories)
	The necessity of re-cycling
	Some conclusions (in the form of evocations and images)
	A coda
	After-words and acknowledgements
	References
Chapter 17 Essay 3: Spectatorial ghosts
	Theatre as a series of ‘disappearances and remains’
	Processions, lookings and loops
	Forms of repetition
	Returning and re-visiting: Lookings
	Stories will always haunt us
	Snapshots: playing it again (or not)
	References
Chapter 18 Re-cycle/up-cycle: A conversation
	References
Chapter 19 Producing marginality and post-mainstream in independent theatre
	The idea of North: A basis in the local
	Towards a geo-cultural dimension and the recycling in theatre
	Post-mainstream as ‘critical pop-culture’
	Confrontation turns into intermediation and production
	Copenhagen International Theatre (KIT)
	Bergen International Theatre (BIT Teatergarasjen)
	From ‘l’ex jeune théâtre’ to Théâtre à Risque
	References
Chapter 20 Essay 3: Nordic inter-action:  Avant-garde to visual performance – the ritualistic and mechanical
	About visual performance tending towards ritualistic and mechanical performance
	Visual performance and the inter-artistic
	Verdensteatret: A theatre of mechanical performance and landscapes
	Theatre is recycling avant-garde performance
	References
Chapter 21 Impossible Theatres and the possible; some dramaturgical provocations and responses to the opening statement, ...
	Project opening statement
	On the new and the active
	On buildings and spaces
	On realisations of ‘the impossible’
	Analogue and digital technologies
	The digital and ‘impossible spaces’?
	The spectator is always present
	References
Chapter 22 Essay 4: Further paths, returning threads
	Notions of spectacle
	All kinds of immersions
	Another universal
	The role of necessary prejudice
	References
Chapter 23 Drama in landscapes
	Nature as creative force, landscapes as a metaphorical concept
	Spiritual landscapes in symbolist drama
	Dramaturgic dissolution physically and in landscapes
	Landscapes, interiors and scenographic approaches
	From cabaret dramaturgy to landscape plays
	Spiritual landscapes, the dream of the Arctic
	Cabaret culture as a vitalistic theatre machine
	Landscape dialogue in stage receptions
	The scenic landscape viewed by the gaze
	References
Chapter 24 Essay 4: Directing and choreographing as a free and open mise-en-scène: From risky auteurship to re-cycling theatre
	The director and choreographer from postmodernism towards the risky
	A move from the aesthetical to the personal and post-spectacular
	Towards a conclusion
	Three theses on recycling and risky forms of experiential theatre
	References
Chapter 25 Dancing with your cycle – theatre and performance research as archivist practice
	The nomadic dramaturg
	Performing archives
	Note
	References
Index




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