Spanish Horror Film and Television in the 21st Century

Cover
Half Title
Series
Title
Copyright
Contents
Acknowledgments
1 Introduction: Spanish Horror in the 21st Century
	1.1. What’s Spanish Cinema of the 21st Century Afraid of ?
	1.2. The Rise of Spanish Horror Films in the 21st Century
		1.2.1. Spanish Horror in the 1990s & Early 2000s: New Directors, New Trends
		1.2.2. The Streamers Era
		1.2.3. Horror & Women
	1.3. Book Structure
2 Early 2000s: Industrial Dynamics, Production Trends & Transnationalization
	2.1. From The Others to The Orphanage via Guillermo del Toro
	2.2. English-Language Spanish (Co)-Productions: An “International Style”
3 [Rec]: An International Franchise
	3.1. [Rec] in Context: Data & Reception
	3.2. [Rec] & Found Footage Horror
	3.3. [Rec], Reality TV & Factuals
	3.4. Filmax & the duo Balagueró/Plaza
	3.5. From Horror to Comedy to Horror (Imperfection Will Be Over) & the Transnational Routes of [Rec]
	3.6. [Rec]’s Legacy
4 Horror & Genre Hybridization
	4.1. Horror/Melodrama: From The Skin I Live In to Blancanieves
		4.1.1. The Skin I Live In: From Melodramatic Revenge to Surgical Horror
		4.1.2. Blancanieves: Violent Chiaroscuros and Women’s Suffering
	4.2. Horror/Sci-Fi, Ecohorror & the Apocalypse
	4.3. The Baztán Trilogy (2017–2020): From Bestsellers to the Cinema
5 Horror & Gender
	5.1. Masculinity in Crisis in the Horror Thriller
	5.2. Female Bodies & the Male Gaze
	5.3. Spanish Women Make Horror
6 Horror & the Past
	6.1. Francoism’s Monstrous Memory
	6.2. Spanish Folk Horror
7 Horror & Streaming
	7.1. Streaming Platforms: New Production & Distribution Models
	7.2. Streaming Platforms in Spain & Horror
	7.3. Tales To Be Awake: Rebooting a Classic
	7.4. 30 Coins & The Fear Collection: Álex de la Iglesia as a Streaming Brand
8 Conclusions
Index