Soviet Films of the 1970s and Early 1980s: Conformity and Non-Conformity Amidst Stagnation Decay

Cover\nHalf Title\nSeries Page\nTitle Page\nCopyright Page\nTable of Contents\nList of figures\nContributors\nIntroduction\nPart I Violating norms in Soviet serio-comic genres of the Stagnation era\n	Chapter 1 Character doubles as a symptom in late Soviet cinema\n	Chapter 2 Antiheroes from an Imagined West: The Very Same Munchhausen and The House that Swift Built\nPart II Unsettling intergenerational harmony, professional integrity, and moral superiority\n	Chapter 3 Teaching (by) violence: Antiheroines in Ilya Averbakh’s Other People’s Letters\n	Chapter 4 Aging kings on the Soviet screen: Disappointment and self-doubt in Stagnation-era cinema\nPart III Dualism, conformism, and impotence\n	Chapter 5 The Soviet flâneur-turned-marathoner: The movement of character and the character of movement in Georgii Daneliia’s 1970s films\n	Chapter 6 Unneeded men in a time of compliance: Split identity in Unfinished Piece for Mechanical Piano and Flights in Dreams and Reality\nPart IV Auteur films: Through the lens of time, space, and allegory\n	Chapter 7 Getting to Know the Big Wide World: The shaggy, the vulgar, and the bumptious\n	Chapter 8 Deconstructing the Stalin myth: Unheroic heroes in the films of Aleksei German, Sr.\nIndex