Sound, Music, and Motion: 10th International Symposium, CMMR 2013, Marseille, France, October 15-18, 2013. Revised Selected Papers

Front Matter....Pages I-XIV
Front Matter....Pages 1-1
Investigation of the Harpist/Harp Interaction....Pages 3-19
Sonically Augmented Artifacts: Design Methodology Through Participatory Workshops....Pages 20-40
Vibrotactile Feedback for an Open Air Music Controller....Pages 41-57
Automatic Classification of Guitar Playing Modes....Pages 58-71
Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performance....Pages 72-85
Front Matter....Pages 87-87
Making Explicit the Formalism Underlying Evaluation in Music Information Retrieval Research: A Look at the MIREX Automatic Mood Classification Task....Pages 89-104
On the Perception of Affect in the Singing Voice: A Study of Acoustic Cues....Pages 105-121
Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework....Pages 122-147
Front Matter....Pages 149-149
Making Data Sing: Embodied Approaches to Sonification....Pages 151-160
Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic Space....Pages 161-174
Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis....Pages 175-189
Front Matter....Pages 191-191
Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performance....Pages 193-203
Moving with Beats and Loops: The Structure of Auditory Events and Sensorimotor Timing....Pages 204-217
Learning Movement Kinematics with a Targeted Sound....Pages 218-233
Audio-Motor Synchronization: The Effect of Mapping Between Kinematics and Acoustic Cues on Geometric Motor Features....Pages 234-245
Movement Sonification for the Diagnosis and the Rehabilitation of Graphomotor Disorders....Pages 246-255
Front Matter....Pages 257-257
MidiFind: Similarity Search and Popularity Mining in Large MIDI Databases....Pages 259-276
Finding Repeated Patterns in Music: State of Knowledge, Challenges, Perspectives....Pages 277-297
Fragmentations with Pitch, Rhythm and Parallelism Constraints for Variation Matching....Pages 298-312
Predicting Agreement and Disagreement in the Perception of Tempo....Pages 313-329
Front Matter....Pages 331-331
Music: Ars Bene Movandi....Pages 333-345
A Virtual Reality Platform for Musical Creation: GENESIS-RT....Pages 346-371
Interactive Sound Texture Synthesis Through Semi-Automatic User Annotations....Pages 372-392
Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound....Pages 393-415
Front Matter....Pages 417-417
The Large Time-Frequency Analysis Toolbox 2.0....Pages 419-442
Sparse Gabor Multiplier Estimation for Identification of Sound Objects in Texture Sound....Pages 443-462
Waveform-Aligned Adaptive Windows for Spectral Component Tracking and Noise Rejection....Pages 463-480
Front Matter....Pages 481-481
Sound and Gesture....Pages 483-493
Changing the Interval Content of Algorithmically Generated Music Changes the Emotional Interpretation of Visual Images....Pages 494-508
The Perception of Sound Movements as Expressive Gestures....Pages 509-517
Musical Sonification of Avatar Physiologies, Virtual Flight and Gesture....Pages 518-532
Front Matter....Pages 533-533
Understanding Coarticulation in Musical Experience....Pages 535-547
Symbolic Segmentation: A Corpus-Based Analysis of Melodic Phrases....Pages 548-557
Non-Verbal Imitations as a Sketching Tool for Sound Design....Pages 558-574
Influence of Rehearsal in an Auditory Memory Model for Audio Feature Estimation....Pages 575-585
Front Matter....Pages 587-587
Cognitive Similarity Grounded by Tree Distance from the Analysis of K.265/300e....Pages 589-605
Group Delay Function from All-Pole Models for Musical Instrument Recognition....Pages 606-618
A Multiple-Expert Framework for Instrument Recognition....Pages 619-634
Syncopation as Transformation....Pages 635-658
Cent Filter-Banks and its Relevance to Identifying the Main Song in Carnatic Music....Pages 659-681
Back Matter....Pages 683-684