Shot in America: Television, the State, and the Rise of Chicano Cinema

Contents......Page 10
Preface......Page 12
Acknowledgments......Page 16
List of Acronyms and Abbreviations......Page 22
Introduction......Page 24
one: "No Revolutions without Poets": Chicano Poetic Consciousness......Page 36
two: Setting the Stage: Social Movements, the State, and Mass Media......Page 51
three: "The Stereotypes Must Die": Social Protest and the Frito Bandito......Page 63
four: Regulating Chico: The Irony of Approaching a State-Supported Industry......Page 86
five: Grasping at the Public Airwaves: The FCC and the Discourse of Violence......Page 110
six: Training the Activists to Shoot Straight: A Political Generation in U.S. Cinema......Page 135
seven: "Our Own Institutions": The Geopolitics of Chicano Professionalism......Page 166
eight: This Is Not a Border: From Social Movement to Digital Revolution......Page 200
Epilogue......Page 230
Notes......Page 238
Filmography......Page 286
Bibliography......Page 292
A......Page 322
B......Page 323
C......Page 324
E......Page 327
F......Page 328
H......Page 329
I......Page 330
L......Page 331
M......Page 332
N......Page 333
P......Page 335
R......Page 336
S......Page 337
T......Page 338
V......Page 339
Z......Page 340