Shakespeare on screen : Macbeth

Contents
Preface
Phantom of the Cinema: Macbeth’s Ghosts in the Flesh
	1. Textual sources
	2. OrsonWelles, 
	3. Akira Kurosawa, 
	4. Roman Polanski, 
	5. Trevor Nunn, 
	6. Alexander Abela, 
	7. Vishal Bhardwaj, 
	8. Conclusion
	Bibliography
“Instruments of Darkness”: Witches and the Supernatural in Four Versions of Macbeth1
	Bibliography
Witches and Ghosts in Modern Times Lost? How to Negotiate the Supernatural in Modern Adaptations of Macbeth
	1. Introduction: A busy decade for Macbeth
	2. Teenagemutant witches in a Mad-Max wasteland
	3. Angry young sluts in Melbourne underworld
	4. Sickening nuns in godless tyranny
	5. Conclusion: Foul is definitely fair
	Bibliography
Macbeth’s Witches: Nurses,Waitresses, Feminists, Punk Gore Groupies
	Bibliography
Weird Space in Macbeth on Screen
	Weird Space as Natural Space
	Natural or Supernatural
	Weird Space as Peripheral Space
	Weird Space as Inner Space
	Weird Space as pervasive
	Conclusion
	Bibliography
“Look how our partner’s rapt”: Externalizing Rapture in Orson Welles’s Macbeth (, )
	Bibliography
Symbolic and Thematic Impoverishment in Roman Polanski’s Macbeth
	Bibliography
“Horrible imaginings”: Rupert Goold’s FilmAdaptation, a Macbeth for the Twenty-First Century1
	Bibliography
Shakespeare in Mzansi
	1. Entabeni: Macbeth as FilmNoir
	2. Death of a Queen and South Africa’s Cultural Pasts
	Bibliography
Claude Barma’s Macbeth (): Shakespeare and the Hybridity of the French “dramatique”
	1. Macbeth on television: the book, the small screen and the big screen
	1.1. Macbeth as “televised text”
	1.2. Between theatre and cinema
	2. Macbeth, an intimist tragedy or a political drama?
	2.1. PerformingMacbeth “inside”: intimacy and subjectivity
	2.2. A political Macbeth?
	Credits
	Actors:
	With the voices of:
	Presentation:
	Bibliography
“. . . [M]ethought/ The wood began to move” (..-) or Whatever Happened to Witches and Woods in Akira Kurosawa’s Throne of Blood (), Alexander Abela’s Makibefo () and Mark Brozel’s Macbeth (): Film Style or the Poetics of Displacement
	The jo or introduction
	The hà or destruction: Witches, wizards. . . and ladies
	Witches
	Doing the deed: the seen and the unseen
	The ghost sequence: fromthe visible to the invisible
	The Kyù, or haste
	Guilt andmadness
	Whatever happened to Birnam
	Conclusion. From visual narration to the visionary:
	Time-image or showing beyond, the “cinema of a seer”
	Bibliography
Fleance in the Final Scene of Macbeth: The Return of the Repressed
	Bibliography
“A Barren Sceptre” (..): Generation, Generations, and Destiny in Maqbool and Global Adaptations of Macbeth
	1. The Prophetic Bind
	2. The Power of Prophecy in Global Adaptations of Macbeth
	3. “A Fruitless Crown” (..): Fecundity and the Challenge to Destiny
	Bibliography
Home Sweet Home: Visual Representation of Domestic Spaces in Macbeth
	Macbeth and Gothic fiction
	Gothic fiction and “the Gothic”
	Castles (Welles, Polanski, Kurosawa)
	Modern Spaces (Wright and Brozel)
	Conclusion
	Bibliography
Happily Never After? Women Filmmakers and the Tragedy of Macbeth
	Gender and Genre
	From Propaganda Film to Period Film
	Macbeth as Docu-drama
	Macbeth, The Comedy?
	Macbeth Meets the Avant-garde
	Macbeth as a Coming-of-Age Story
	From Toil to Trouble
	Bibliography
“Get a Look at Your Wife’s Beautiful Cones”: Lady Macbeth’s Stone Butch Blues and Rural Second-Wave Feminismin Scotland, PA
	Galenic Medicine, Female Masculinity, and Lady Macbeth’s Transgenderism
	Scotland, PA, Second-Wave Feminism, and Normative Gender in s rural North America
	Bibliography
“Struts and frets”: Physical Eloquence in Vladimir Vasiliev’s Macbeth
	Bibliography
	Appendix: production details
	Cast and crew
	Act one
	Act two
Macbeth in André Barsacq’s Le Rideau rouge (): Mise en Abyme and Acoustic Porousness
	Bibliography
“Is this an umbrella which I see before me?”: Columbo goes to Scotland Yard1
	1. Columbo: to be Macbeth
	2. Columbo: not to be Macbeth
	Bibliography
Art not without Ambition: Stardom, Selfhood and Laurence Olivier’s unmade Macbeth
	The Shakespearean Star Text
	Contemporary Star Discourses: The Oliviers and the Macbeth Screenplays
	Autobiography and the Macbeth Screenplays
	Bibliography
	Filmography
	Theatre Productions Cited
Macbeth on Screen: An Annotated Filmo-Bibliography
Abstracts
Notes on the Contributors